Thanks. I guess that or the Front Stage Wide would make most sense.I am using the mid-wide for a piano in front of the orchestra. I didn't really know what else to choose since there is no allocated place for a soloist.
Thanks. I guess that or the Front Stage Wide would make most sense.I am using the mid-wide for a piano in front of the orchestra. I didn't really know what else to choose since there is no allocated place for a soloist.
that'd be greatBerlin Studios works well with the Infinite Series. I can post a few examples of using the close mics.
In a free, not so long away update there will be an auto align option. Not by delaying the dry input, but by skipping the corresponding part in the three mic sets (with fades etc, of course). I will use detailed distance information that I have, not measured in situ, but reconstructed from delay information / speed of sound, etc etcThis is fascinating! I learned a lot just from reading this post. Please don't remove the delay options! I didn't fully understand their purpose at first, but will start experimenting now.
UPDATE: Whoa! Increasing the delay of the dry signal really helps glue the signals together. Thanks for the tip!
Case in point: CSW solo flute (close mic only) sounds much more focused with the correct delay setting (18 ms):
Delay OFF:
View attachment CSW Flute 0 ms.mp3
Delay 18 ms:
View attachment CSW Flute 18 ms.mp3
Dry (for reference):
View attachment CSW Flute Dry.mp3
@Peter Emanuel Roos Is there any risk that slightly wrong delay values will introduce phasing issues?
Do you happen to know what the delay of the dry signal should be for the different string sections?
There will be a trial when the Pace / iLok stuff is integrated, available somewhere in December.Will there be a trial? Would love to try it out
Higher up, a few days ago I replied with a long text to Hendrik Buus Jensen about this time alignment feature, that will be included in an end-of-year update.It is not uncommon to align close signals to room mics by mixing engineers, so it is great that this is build in. Actually, it would be great that many sample developers would do the same with their room mics.
The cpu usage is impressive, but I’m a bit worried how my future AMD pc will perform with this plugin, but I hope it will run it well enough.
Hey everyone,
here is a little video:
No, not at all confusing. Please add in the separate mono mic channels.In a free, not so long away update there will be an auto align option. Not by delaying the dry input, but by skipping the corresponding part in the three mic sets (with fades etc, of course). I will use detailed distance information that I have, not measured in situ, but reconstructed from delay information / speed of sound, etc etc
Maybe half december? I have used it myself, and find it pretty well working.
I happened to check the woodwinds today: 14 msec, and violins 1 7 msec. Closest L or R distance to the Decca center is used.
And on the Decca: maybe in a later version I will offer 3 mono channels Decca L, C and R. As an option. Maybe too confusing for some.

@Peter Emanuel Roos , congratulations on what appears to be quite a superb accomplishment! The auto align feature sounds very interesting. Looking forward to hearing some comparative examples (with the feature on and off). Do I remember reading that there was a slight issue with apple silicon at the moment? Perhaps I'm mistaken and this has already been addressed. Look forward to picking this up soon. Very impressive work.In a free, not so long away update there will be an auto align option. Not by delaying the dry input, but by skipping the corresponding part in the three mic sets (with fades etc, of course). I will use detailed distance information that I have, not measured in situ, but reconstructed from delay information / speed of sound, etc etc
Maybe half december? I have used it myself, and find it pretty well working.
I happened to check the woodwinds today: 14 msec, and violins 1 7 msec. Closest L or R distance to the Decca center is used.
And on the Decca: maybe in a later version I will offer 3 mono channels Decca L, C and R. As an option. Maybe too confusing for some.
Here's a comparison of Mozarteum and Berlin Studio using one of the @aaronventure demos to minimize my ability to butcher a comparison to just mixing.that'd be great

Did you use any panning?下面是使用 @aaronventure 演示之一对莫扎特音乐和柏林工作室进行的比较,以尽量减少我将比较的能力与仅混音的比较。
对于 Berlin Studio 版本,我将所有 AV 乐器设置为 Studio IR,并使用近距离麦克风独奏并最大化音量。
AV Steel Ballroom Mozarteum(在所有乐器上混合 Mic 3):
View attachment AV Steel Ballroom (Mozarteum).mp3
AV Steel Ballroom Berlin Studios(-6 dB 直接,0 dB Decca,-9 dB AB,-12 dB 环绕声):
View attachment AV Steel Ballroom (Berlin Studio).mp3
No. I left all instruments in their pre-panned positions in the studio Close Mic IR.Did you use any panning?
Thank you, Peter! An auto align option does sound like a great idea. Looking forward to that update.In a free, not so long away update there will be an auto align option. Not by delaying the dry input, but by skipping the corresponding part in the three mic sets (with fades etc, of course). I will use detailed distance information that I have, not measured in situ, but reconstructed from delay information / speed of sound, etc etc
Maybe half december? I have used it myself, and find it pretty well working.
I happened to check the woodwinds today: 14 msec, and violins 1 7 msec. Closest L or R distance to the Decca center is used.
And on the Decca: maybe in a later version I will offer 3 mono channels Decca L, C and R. As an option. Maybe too confusing for some.

Can you test with solo IR?没有。我将所有乐器都放在工作室 Close Mic IR 中的预声相位置。
Even with manual activation in Logic's PluginManager the plugin doesn't show up in the plugin list here.This is a known issue now, and all focus is on fixing this. In the mean time, users have reported that the plugin works well if you activate it yourself in the PluginManager.
Berlin Studio seems to run flawless on my 2010 MacPro slave with High Sierra (as AU within VE-Pro). Only inside Logic on my iMac with BigSur the CPU overloads immediately when launching the 1st instance. I impatiently expect the updateHigher up, a few days ago I replied with a long text to Hendrik Buus Jensen about this time alignment feature, that will be included in an end-of-year update.
The efficiency of Berlin Studio, and other Samplicity plugins will only improve, because the current version has its multi-threading switched off. This is related to reported issues with the Juce library (that I use) and threading on Silicon chips. Berlin works fine (3 true stereo convolutions in paralel) in the host's callback, but that was not the meant to be the final approach.
The plugins use SIMD libraries that take advantage of the user's processor feature, so if you have AV512 the plugin will use that and be more efficient. The overall compiled code "only" uses AVX optimization, as I know that some people are still using 10 year old computers. I am considering to offer fully AVX512 (and Neon optimized) versions on special request.
Finally, there will be "lossy" convolution options, that you cannot tell apart from the "exact" convolution. Expect 25-50 % less CPU usage. These are not future ideas, but features that passed their Proof-of-concept phase.

Congratulations - it must have been a monumental task to create this plugin!