Hej,
I am new in this forum, as a member, but I am following this thread since 3 month...
Now I just want to share a sneak peak video from Lorne Balfe in Synchron Stage Vienna...
I think this room sounds reaally special and different. But different in a good way! I think it is one of the best recording studios in the world! Isn't it?
What do you guys think about it?
Also, let's be honest and say that that piece of music is boring and useless itself. Does someone really need to go on a stage like that to record that stuff?
You can find it in the current VSL catalogue. The GUI looks very colourful.
OMG.. and now who's talking about nothing?
The Stereo Mix is just a preset that can be loaded into a single instance of Vienna Ensemble, and it's the Mid-Distance mic plus a Mix (Main Decca + Main Center mono).
That's it.
here: https://www.vsl.co.at/en/Press_Area/BrochuresAny chance of a link, can't find.
lol I would probably just use spitfire chamber for that.

It was specific to this track you shared. That is basically staccato accompaniment plus a questionable melody. It's something you can easily achieve with a sample library. Not Synchron Strings actually, because the melody would probably sound bad. But whatever serius library can do that easily and 99% realistic.Yes, yes, yes... Danny Elfman, Hans Zimmer, Lorne Balfe, the Gregson-Williams brothers and so on just made the wrong decision and chose a real orchestra instead of spitfire samples
Maybe apply as an adviser for them :D
You have really useful tips!
It was specific to this track you shared. That is basically staccato accompaniment plus a questionable melody. It's something you can easily achieve with a sample library. Not Synchron Strings actually, because the melody would probably sound bad. But whatever serius library can do that easily and 99% realistic.

Yes, yes, yes... Danny Elfman, Hans Zimmer, Lorne Balfe, the Gregson-Williams brothers and so on just made the wrong decision and chose a real orchestra instead of spitfire samples
Maybe apply as an adviser for them :D
You have really useful tips!
Of course not. But the fact someone choose it a teaser, let me think it is supposed to be good stuff, somehow in their minds.You have to think this way... Do you really think they just came to Vienna for this track?
I don't think so? And why shouldn't they take the possibility to record more with a real orchestra?So I wouldn't blame them that they should us samples for that![]()
Hi,
I would appreciate it if we can focus on the topic, rather than commenting/criticizing on each others posts.
Thanks,
Muziksculp
It was specific to this track you shared. That is basically staccato accompaniment plus a questionable melody. It's something you can easily achieve with a sample library. Not Synchron Strings actually, because the melody would probably sound bad. But whatever serius library can do that easily and 99% realistic.
Actually Synchron would sound nearly identical.
It is not about feeding trolls, it is about reaching page 100 in time for NAMM openingDon't feed the trolls, gents. They're on their last legs.

It is not about feeding trolls, it is about reaching page 100 in time for NAMM opening![]()