+1. A good shill is a subtle shill. But the overall result of all shills on one thread usually betrays them. Your good description of how they kept ignoring the better demos is one good example. It was clear from the very begining. This is unfortunate as their are many who trust this forum.Agreed. However good demos do still get ignored, despite an example to the contrary.
Nice way of putting it, and could’t Agree more, but the way I see it is if someone sees this library with a grain of salt I have ***the right*** to treat them likewise; So,I'm not sure I'd go quite that far, but it is frustrating that negative is viewed as honest. Honest truth is some demos don't sound great, but some truly do, just like anything else.
And what seems to be “conveniently” forgotten is that we are judging an incomplete product
This library will take some time to mature,
This! Each time I hear those Cellos resonate, I say to myself VSL should demonstrate this aspect...and playing all together in Veinna ensemble can give off an enormous string sound, and even on standard edition can really make these strings very personal and intimate. It is definitely a gold nugget in my arsenal.
Beautiful reply, so nicely done.. but who are you? Poster # 1910. So your point is i’m imagining things? Ok no worries@C-Wave
1. Do you make it a habit of questioning the integrity of everyone who even remotely disagrees with you about anything?
2. Do you generate conspiracy theories to explain away aspects of reality that you find uncomfortable because they don’t fit your fixed understanding of things?
3. Do you know how hard it is to feed a family of twelve with freelance shilling when there are people like you exposing even the subtlest of subtle shilling campaigns? So subtle in fact as to appear indistinguishable from real people with real opinions that simply don’t match your own?

Thanks Casiquire. And you don’t have to agree with me on anything to say I have come to repspect your posts. Very moderate and balanced..We're veering away from substantive discussion again haha.
Weren't we supposed to see demos of the new player any day now?
I was hoping, too.We're veering away from substantive discussion again haha.
Weren't we supposed to see demos of the new player any day now?

Hey,I was wondering how people use SyS or have you discoverd this as yet,
I am using Synchron strings by loading all mic positions, inside ensemble or ensemble pro, and linking the instrument to the same channel then adjusting the mic volume and or mic pan also can adjust the fader in ensemble.
I could end up playing two or all the mics position with the Instrument depending on feel or project, at the moment that of course is 1st violins and cellos and basses.
You can get such a sweet tone and sound from using the library like this also it prompts many other possibilities.
I am only a bit confused... in the setup video Paul says that the room mix is a combination of the mid and all others mixed down from the full library (!!!) even if you have the standard library. On the other hand, in the manual the room mix is described as a mix of only the standard ones if you have the standard library.
What do you think?

I believe Paul said the Room-Mix also contains a mix of the surround mics folded-down-to stereo. It sounds virtually identical to the default Full Version VE-Pro Preset Mix. If this is how it was created, it likely also contains the Matrix delays as well which will further spread the sound. So you likely couldn't create the Room-Mix with just the standard library. However, I believe its included with the Standard Library and it really has a superbly mixed sound. With the Full Version, I have a hard time improving upon the Room-Mix using individual mics, the Room-Mix is just a very good mix! Maybe someone from VSL can then explain to us what are the advantages then of the Full Version?I'm not sure, but to me, the room mix samples have something in them I can't reproduce with the standard library mics on their own. I do believe that what Paul said in the video is correct.