It sounds like something from a drum machine (TR 707, 909, Linn etc), maybe layered with an acoustic snare drum, and white noise for additional brightness.
The body and the tail/reverb are not that loud or distorted, it's compressed just enough so it cuts through the mix without smudging all over it. Also it's quite centered, so no crazy stereo samples.
The energy mostly comes from the short and snappy attack, which is really loud compared to the other percussions in the track (dynamics is key in that kind of effect).
It can be achieved trough compression, or transient shaping with an insane amount of gain on the attack.
There may also be an additional click (short white noise, or any kind of sample), but it's not bass music so I doubt it's that complex.
So it can be done by applying many effects to a main snare sample, or it can be built with smaller layers. If you want to do the latter I'd recommand opting for a transient/body/tail process :
- a clean, snappy transient with not too much saturation or compression, and well distributed frequencies (flat mids is good, tame the high and low ends)
- a synthetic (or a well recorded and processed) body with a bit of flick (avoid being too punchy)
- a tail made of white noise, acoustic drum ringing, and a bright, not necessarily realistic reverb. You can compress and saturate these last components altogether with the body for better cohesion