Nope, quite a fewSome Audio would be nice!
Also, only one type of short?
Nope, quite a fewSome Audio would be nice!
Also, only one type of short?
NotedSounds good. Needs panning control for the mics pls. And range extension if possible..
I think you should clearly put this on the website, since that is a big selling point.Nope, quite a few
Will make it clearer, great suggestionI think you should clearly put this on the website, since that is a big selling point.
With the dynamic layers, we asked people what they considered a good number and the answer was four to five, and upon testing, particularly with the contrabass flute, we found that for the long notes, three very much covered it, and we made sure the lowest layer really is that ultra quiet whisper sound (also highly requested)It's quite sad that many of the most requested features are missing from this first instrument, while the least requested ones are present:
• More dynamic layers (4/5) (30 votes): 3 layers only (5 for staccato)
• Different length of shorts (24 votes): 1 short only
• Run patches (22 votes): none
• Trills at multiple speeds and interval (15 votes): none
• Adjustable mechanical/finger noises and breath sounds (6 votes): present
• Many mic perspectives, ranging from dry to distant and reverberant (3 votes): present
It's quite sad that many of the most requested features are missing from this first instrument, while the least requested ones are present:
• More dynamic layers (4/5) (30 votes): 3 layers only (5 for staccato)
• Different length of shorts (24 votes): 1 short only
• Run patches (22 votes): none
• Trills at multiple speeds and interval (15 votes): none
• Adjustable mechanical/finger noises and breath sounds (6 votes): present
• Many mic perspectives, ranging from dry to distant and reverberant (3 votes): present
In solo instruments this can present a lot of problems with crossfades. I've found the fewer dynamic layers the better with solo woodwinds. In fact, I usually strip them down to one layer and use scripting tricks with EQ and filters to simulate a change in timbre. It isn't perfect, but to my ears it sounds much better than a crossfade, no matter how well executed.More dynamic layers (4/5) (30 votes): 3 layers only (5 for staccato)
When will the current/intro pricing end and what will be the most cost effective way to own the series?Just a quick announcement on this series: We'll be releasing the next instalment in the coming weeks! After that, they will be compiled together into a single library.
Intro pricing will end around the 12th May, when the next instalment is approximately scheduled for release. The most cost effective way to purchase is individually, as they come out - once the full pack is out, the products will cease to be individually available and compiled into a single woodwinds packWhen will the current/intro pricing end and what will be the most cost effective way to own the series?
This is absolutely true. We're toying with the idea of a snap function which prevents the player from "leaving" the instrument in a crossfaded state too far between two dynamic layers, as this is pretty much the source of the problems.In solo instruments this can present a lot of problems with crossfades. I've found the fewer dynamic layers the better with solo woodwinds. In fact, I usually strip them down to one layer and use scripting tricks with EQ and filters to simulate a change in timbre. It isn't perfect, but to my ears it sounds much better than a crossfade, no matter how well executed.
They are not, this is a new space, but it does not mean they do not work very nicely togetherAre these recorded in the same room/ hall as MSW? Do the mics match? Thanks.