Lee Blaske
Senior Member
Thanks so much @aaronventure. I'm going to try these with JXL Brass.
What happened to your secret trick? Is it too top secret to reveal?![]()
I'll reveal my secret! I have to admit, though, that it's time consuming, and I haven't worked with it much, yet, because it IS time consuming. I also still need to build or configure a better (and safe) front end amplifier for it.
Basically, the idea is to use a vintage Wurlitzer Brasshorn. The Wurlitzer Brasshorn was made by the Wurlitzer company in the sixties (Jimi Hendrix had two of them). It's a compression driver on a stand, and the kit includes two brass bells. A trumpet bell, and a trombone bell. So, what you do is run the output of a straight brass instrument through an amplifier into the Brasshorn, and then put any mute you desire in the bell of either the trumpet or trombone bell. Then, you mic and record the result. The neat thing is that it allows you to manually do some of the things a player would do with mutes (like a plunger).
That's the secret. Hope it was worth the wait.
I don't have pictures of my own Brasshorn posted anywhere, but here's one I found...
https://reverb.com/item/18662710-19...ass-horn-original-case-price-list-harmon-mute
I have it set up in the studio, and it looks intriguing. Before I do serious work on it, though, I need to find a good high fidelity, low-power amp to drive it. I don't want to damage the diaphragm.
