richmwhitfield
Active Member
Yeah it definitely does show up in Komplete Kontrol
Knifonium VST
- Thread starter José Herring
- Start date
rnb_2
Rick Baumhauer
I'm setting up my MacBook Pro, and I noticed when I downloaded my PA installers last night that the Installation Manager now has a selection for "Native M1 Products", so it looks like they're getting ready. There's nothing in that category yet, but it is a sign of progress.
I noticed that too, got excited, then got un-excited
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José Herring
Lost in Cyberspace
I bet when Tom Holkenborg would read this, he’d be like:
We need to hook you up with a Roland S50, to sample your stuff in, before rendering it out to a WAV in your DAW / preferred sampler plugin. You know… for more street cred… I mean… a way better sound.
It's funny I saw this video and it made sense to me. I always thought that I was deficient because I couldn't make a "regular" synth sound as good as I can samples. But, it is what it is for me.
I considered the S50 but I ended up getting this little device in Reason that down samples anything you run through it. It has the exact same sound. I also think that Cubase's 12bit mode does the same thing. It works great on drums because there's no high end so it blends well with other stuff.
Dude, I seriously like your covers better than the originals.
KEM
The TENET Guy
This one’s actually all original!! It’s of course heavily inspired by Ludwig’s score for Venom but I didn’t use any motifs that he wrote, just took the general vibe and sonic palette he created and ran with it. Now the TENET stuff on the other hand, those were meant to be as close to the originals as possible but I still did my own thing with them when I could, an interpolation/interpretation if you will
I swear on my life I will work for him one day…
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José Herring
Lost in Cyberspace
KEM
The TENET Guy
You really think so? I second guess everything lol
And I get told all the time that I should do trailers or library music but I am just strictly set on scoring films, tv shows, and video games. I’m not completely opposed to the idea since it could advance my career and actually help me get those jobs I want so it might actually be the way to go, but I can’t help but just want to start interning under a Hollywood composer and work my way up
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José Herring
Lost in Cyberspace
KEM
The TENET Guy
I want to do exactly what Ludwig and Hans do!!
KEM
The TENET Guy
That’s very true, I could definitely reach out to Hans or Junkie but I have no idea how to get in touch with Ludwig
Marcus Millfield
Senior Member
Listen to Jose and Pier goddamnit! That track is sick AF, if you'll pardon my language.
KEM
The TENET Guy
Thank you!!
doctoremmet
Senior Member
Listen to José, Pier & mijn mattie Marcus goddamnit. You and Michael (@Baronvonheadless) are like my two favourite young composers on this entire forum. You guys rock, each in your own sort of domain. You crank out the good stuff, are able to produce your tracks to a beyond-decent level, and know what you want. Go do it! And “it” has to be whatever YOU want it to be. I have a lot of confidence in you Kenneth.
Bee_Abney
How long have I been out?
And as others have said, your music is more than professionally competent. You need a lot of other skills to compose for media, and the best way to learn is to do it. And get paid for it - in any profession, you make the biggest gains in your skills in the first few years of on-the-job experience.
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José Herring
Lost in Cyberspace
Nothing wrong with getting to know other composers. just don't wait for their blessing to get your own films/tv/games going.
