Every single movie I've worked on so far has started the conversation that way..
How do producers unanimously assume they can weasel composers into working for peanuts? Almost like they're learning it in film school: budget 101. It's like instead of bringing flowers to a first date they steal your f*cking car.
How do producers unanimously assume they can weasel composers into working for peanuts? Almost like they're learning it in film school: budget 101. It's like instead of bringing flowers to a first date they steal your f*cking car.