chimuelo
Star Of Stage & Screen
I have used GSIF drivers ( 1.0 ) w/ Scope for 2 years now, giving up my hardware rig, this made good sense. But that was with 2.54, which worked flawlessley with the proper building.
GS3 Orchestra works great also, but loads less due to the sizes of quality libraries. Then came GVI. In standalone all of my ASIO drivers crashed, and I was forced to seek a good VST shell. Cubase 4 worked well, but I didn't like the feeling of using that for a mere shell live, as it would eventually crash like all big sequencer apps are prone to do. So I took the advice of a few forum dwellers, and had my DAW man set me up with a Q6600 in my GVI DAW, giving the E6700 to the GS3 DAW. Since both DAW's use the 15 DSP cards ( 3 ) in each 4U, this was never a worry, as Scope is as stable as the sun rises in the east. But Bidule was a snap to set up, and I can load some large amounts of content using several instances of GVI. It is a real treat to have GigaViolin, American Zither, Origins, Muse, Symphonic Strings, First Call Horns, and all of the Scarbee Electro-mechanical samples loaded at once. This makes my live show so nice to not have to load during a perfromance. And to watch guys staring at their LCD's during a gig is so Bush league. GVI has 100% stability w/ Bidule and Scope live. June 13th was the registered date to buy the product, I bought it 2 weeks ago, why wait? If they would have gone out of business, my ass would have been grass.
Imagine large multiple 24 bit libraries waiting for you for once, instead of waiting for them. Then add John Bowens mighty synthesizers and Scope's incredible mixers and effects. It's a dream in the studio, but live, it has no equal through the twin Barbettas, and stereo sub, w/ the Pro 3t using Scope B2003 and custom MIDI devices as controllers. www.spacef-devices.com The CC5 vthat was made for me takes 4 or 5 drawbars off of the B2003, and puts them on a single slider of the MAudio KS88's.
Now Those Are Some DAWg's That Hunt.
CHIMUELO, ESTRELLA DE ENSENARIO DI PANTAYA
GS3 Orchestra works great also, but loads less due to the sizes of quality libraries. Then came GVI. In standalone all of my ASIO drivers crashed, and I was forced to seek a good VST shell. Cubase 4 worked well, but I didn't like the feeling of using that for a mere shell live, as it would eventually crash like all big sequencer apps are prone to do. So I took the advice of a few forum dwellers, and had my DAW man set me up with a Q6600 in my GVI DAW, giving the E6700 to the GS3 DAW. Since both DAW's use the 15 DSP cards ( 3 ) in each 4U, this was never a worry, as Scope is as stable as the sun rises in the east. But Bidule was a snap to set up, and I can load some large amounts of content using several instances of GVI. It is a real treat to have GigaViolin, American Zither, Origins, Muse, Symphonic Strings, First Call Horns, and all of the Scarbee Electro-mechanical samples loaded at once. This makes my live show so nice to not have to load during a perfromance. And to watch guys staring at their LCD's during a gig is so Bush league. GVI has 100% stability w/ Bidule and Scope live. June 13th was the registered date to buy the product, I bought it 2 weeks ago, why wait? If they would have gone out of business, my ass would have been grass.
Imagine large multiple 24 bit libraries waiting for you for once, instead of waiting for them. Then add John Bowens mighty synthesizers and Scope's incredible mixers and effects. It's a dream in the studio, but live, it has no equal through the twin Barbettas, and stereo sub, w/ the Pro 3t using Scope B2003 and custom MIDI devices as controllers. www.spacef-devices.com The CC5 vthat was made for me takes 4 or 5 drawbars off of the B2003, and puts them on a single slider of the MAudio KS88's.
Now Those Are Some DAWg's That Hunt.
CHIMUELO, ESTRELLA DE ENSENARIO DI PANTAYA
