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In Time There Will Be No Time


How do you keep the low end in control? I listened to it headphones and it is loud but balanced in headphones. That must be the limits of low end possibility. It sounded wide too. Is it the same in speakers? If so, how do you do that low end? I mean, do you have any trick up the sleeve? Thanks for sharing music btw.

Edit. I could be wrong too on low end, bcs the headphones are bass type. But it sounded very balanced in them.
 
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How do you keep the low end in control? I listened to it headphones and it is loud but balanced in headphones. That must be the limits of low end possibility. It sounded wide too. Is it the same in speakers? If so, how do you do that low end? I mean, do you have any trick up the sleeve? Thanks for sharing music btw.

Edit. I could be wrong too on low end, bcs the headphones are bass type. But it sounded very balanced in them.

Hello Peter,

For this piece I used a high-pass filter on the double basses and also multiband compression on the entire mix on the low end (under 200hz) to tame the boominess. I mixed this piece on high-end Adam S3a speakers, I don't do final mixes on headphones.

It also helps to be very detailed in the sequencing aspect of production, taking care with velocities and cc7. I have a pair of inexpensive computer speakers that are very boomy with too much bass and they are particularly hard to mix for with a piece like In Time There Will Be No Time.
 
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