All good points. Honestly not sure it would improve the workflow I have now sorted out with these top perc libraries. I guess it boils down to the only difference possible (for me) -- will my clients think it 'sounds better' (subliminal is ok by me). One thing that would take the sting out of the decision would be a possible crossgrade for True Strike 2 owners.
Considering the other libraries you have, I think "sounds better" would be a subjective response varying from individual to individual.
yep - without crossgrade incentive, the 'risk' of yet ANOTHER library sitting on my drives collecting dust is just going to keep the impulse at bay.
Great time to be alive with such abundance of options available.I think (*I THINK) the samples themselves haven't changed. However, if you load an instrument, click the Settings Tab top right of the interface, you then have an option to enable/disable a Velocity Filter (it's enabled by the default). It seems to help quite a bit with the dynamic layers.
Don't I know it! When I first started playing in 1965, the keyboard choices were piano and organ. It would be another decade before I got my hands on a synthesizer. A decade after that, I got my first sampler; and another decade later, there were finally enough orchestral CD-ROMs available to begin to do an orchestral mockup.
I’ve been using TS since it came out on Gigastudio. It still makes up the vast majority of my orch perc template. It’s one of those libraries that just “sits” perfectly in a mix, IMO. Has lovely distance without it being drenched in verb.
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I think there is some confusion going on regarding TS2 vs TS 2.0.
Hi all,
When it asks you to search for the missing files, tick the box that says "allow alternative file types". Fixed this for me. I'm going to experiment with the old patches and whether they'll accept the newer formats as I imagine they are more efficient.
