Through a parody video on youtube I stumbled over an obscure music genre, that I hadn't heard of before: Harsh Noise Wall. It's exactly what you think it is, a distorted wall of loud noise where you can barely hear hints that the original audio source has ever been anything other than a white noise generator. Here is an example (I recommend turning down your volume first, I wouldn't want to listen to that at high volume, although that's probably the intended way to enjoy this):
A comment says this is "pretty dynamic" by this artists standards.
I would say I can enjoy some fairly abrasive music by normal standards, but noise genres have always been a no go for me. So I expected I'd strongly dislike this as well. But to my surprise, I'm actually kind of enjoying it. And there definitely is some variation in it, I like some parts a lot less than others. Since this seems to be a proper genre, I assume there to be many different artists, and fans that have favorite albums and clear preferences - while every album seems to be just a "wall of harsh noise", literally.
So, I have to ask: why? With the removal of pitch, rythm and clearly distinguishable timbres, what's left? Is anyone here unironically liking or even making music of that genre? What does set a "good" wall of harsh noise apart from a "bad" wall of harsh noise. There must be some criteria for this, right? I'm thinking maybe such an extreme genre of music offers a chance to learn something from it, that holds true in other genres of music as well?
I've listened to the entire album start to finish, with one break for lunch. And I find it has a weirdly relaxing quality to it. Wouldn't surprise me if I could fall asleep to this.
Is there a genre specifically for that too? Like "ambient noise wall" or "chill noise"? I know there is a market for "white noise"-ish sounds that help people with sleeping or drowning out unwanted less monotone noises, but those are more like found sounds and seem less "engineered". I'm more interested in things that can be controlled in the noise shaping process when making such an album that is an hour of "just noise".
A comment says this is "pretty dynamic" by this artists standards.
I would say I can enjoy some fairly abrasive music by normal standards, but noise genres have always been a no go for me. So I expected I'd strongly dislike this as well. But to my surprise, I'm actually kind of enjoying it. And there definitely is some variation in it, I like some parts a lot less than others. Since this seems to be a proper genre, I assume there to be many different artists, and fans that have favorite albums and clear preferences - while every album seems to be just a "wall of harsh noise", literally.
So, I have to ask: why? With the removal of pitch, rythm and clearly distinguishable timbres, what's left? Is anyone here unironically liking or even making music of that genre? What does set a "good" wall of harsh noise apart from a "bad" wall of harsh noise. There must be some criteria for this, right? I'm thinking maybe such an extreme genre of music offers a chance to learn something from it, that holds true in other genres of music as well?
I've listened to the entire album start to finish, with one break for lunch. And I find it has a weirdly relaxing quality to it. Wouldn't surprise me if I could fall asleep to this.
Is there a genre specifically for that too? Like "ambient noise wall" or "chill noise"? I know there is a market for "white noise"-ish sounds that help people with sleeping or drowning out unwanted less monotone noises, but those are more like found sounds and seem less "engineered". I'm more interested in things that can be controlled in the noise shaping process when making such an album that is an hour of "just noise".