Mornats
Hobbyist
I own Neutron and Ozone 7 standard and have been watching the videos on the new versions. Some of the new features look really good from the videos.
In Neutron 2 the visual mixer looks really good to me. It's basically a visual way to tweak the panning, stereo imaging and volume of every track that has Neutron on (or in the advanced version, Mix Tap - a lightweight stereo imaging, panner and volume control). This will help my workflow immensely.
The tonal balance feature looks interesting too although I'm not sure how helpful it would be to have it analyse four broad frequency bands so you can go and tweak the balance of these.
I'm considering the upgrade to Neutron 2 standard just for the visual mixer. I never considered Neutron Advanced in version 1 as it only offered surround (which I don't use) and the ability to load each part of the chain as individual plugins which wasn't worth the cost to me. So as I'm not too bothered about the tonal balance thing, Advanced still doesn't appeal as much, although tonal balance and mix tap as additions to Advanced help a bit with the extra cost. That extra cost wasn't really justified in version 1 for me.
Ozone's new mastering assistant caught my attention, more so for its ability to analyse a reference track and suggest a mastering starting point based on that. This would help me a great deal in both time saved and my understanding of mastering. I really like the look of it so far.
One other feature in Ozone 8 that looked good but wasn't shouted about much is the ability to set a target loudness (-14LUFS for example) and have the maximiser set its threshold to hit that target. I find that I play a track, check the LUFS in YouLean, tweak the threshold, play it again and so on. This would make this step much easier for me.
In terms of Ozone Advanced, you get more from Standard than you do with Neutron. Those extra modules look nice, but it's the tape saturation that I'd really like to get my hands on.
So, in terms of upgrading I think I may grab the stand upgrades for £78 each (Time+Space). I did consider the O8N2 bundle as I can get the crossgrade for £315 but to be honest, I've only recently bought Ozone and it bugs me that I could have got the bundle for the same price if I hadn't bought Ozone (as an owner of Neutron).
I could go for the standard upgrade for Neutron and the Advanced upgrade for Ozone for a total of £233 and get the tonal balance feature in there but it won't link into Neutron. I'm not sure if that would be a problem or not. The other option would be to get a nice tape saturation as a separate plugin outside of Ozone so long as it costs less than the difference between the Ozone Standard upgrade and the Advanced.
Anyway, thanks for reading, I think I just rambled on about my thoughts on upgrading!
In Neutron 2 the visual mixer looks really good to me. It's basically a visual way to tweak the panning, stereo imaging and volume of every track that has Neutron on (or in the advanced version, Mix Tap - a lightweight stereo imaging, panner and volume control). This will help my workflow immensely.
The tonal balance feature looks interesting too although I'm not sure how helpful it would be to have it analyse four broad frequency bands so you can go and tweak the balance of these.
I'm considering the upgrade to Neutron 2 standard just for the visual mixer. I never considered Neutron Advanced in version 1 as it only offered surround (which I don't use) and the ability to load each part of the chain as individual plugins which wasn't worth the cost to me. So as I'm not too bothered about the tonal balance thing, Advanced still doesn't appeal as much, although tonal balance and mix tap as additions to Advanced help a bit with the extra cost. That extra cost wasn't really justified in version 1 for me.
Ozone's new mastering assistant caught my attention, more so for its ability to analyse a reference track and suggest a mastering starting point based on that. This would help me a great deal in both time saved and my understanding of mastering. I really like the look of it so far.
One other feature in Ozone 8 that looked good but wasn't shouted about much is the ability to set a target loudness (-14LUFS for example) and have the maximiser set its threshold to hit that target. I find that I play a track, check the LUFS in YouLean, tweak the threshold, play it again and so on. This would make this step much easier for me.
In terms of Ozone Advanced, you get more from Standard than you do with Neutron. Those extra modules look nice, but it's the tape saturation that I'd really like to get my hands on.
So, in terms of upgrading I think I may grab the stand upgrades for £78 each (Time+Space). I did consider the O8N2 bundle as I can get the crossgrade for £315 but to be honest, I've only recently bought Ozone and it bugs me that I could have got the bundle for the same price if I hadn't bought Ozone (as an owner of Neutron).
I could go for the standard upgrade for Neutron and the Advanced upgrade for Ozone for a total of £233 and get the tonal balance feature in there but it won't link into Neutron. I'm not sure if that would be a problem or not. The other option would be to get a nice tape saturation as a separate plugin outside of Ozone so long as it costs less than the difference between the Ozone Standard upgrade and the Advanced.
Anyway, thanks for reading, I think I just rambled on about my thoughts on upgrading!