IsmaelOrtiz
New Member
112dB Mikron, I'd get in bed with it.
Still searching for the ideal reverb setup, but right now for my scores (Goldsmith style) I use a combination of 3 Vienna Suite's Convolution Reverbs (Teldex impulses) for different instrument groups, trimmed to 1-1.2 seconds. Over it all there is an algorithmic reverb, sometimes UAD Lexicon 442 and sometimes Valhalla. I've had decent results with the Vienna Suite hybrid reverb as well.
GOLDSMITH YAY! +1 million
Alien movie (J. Goldsmith's Music Score, names of Valhalla's algorithms : Narcissus, Nostromo, Sulaco, LV-426)Do you remember the connection between J. Goldsmith and Valhalla Room?
Seventh Heaven is great. Even the smaller one sounds fantastic to me. Also much love for Altiverb, B2 and Pro-R!Lots of great reverbs out there now... my current favorites are Liquid Sonics Seventh Heaven and Relab LX 480. EW Spaces and Valhalla Room also get used quite a bit.
And to derail it further, do you have an idea how to get such a thick and dark reverby wall of sound as in this track?To derail this topic a bit,
Yes, I'm quoting a 1 year old post, just needed some way to insert myself into the discussion of this interesting thread.I think that for orchestral mock-ups especially, having good stereo placement and depth is more important than the actual reverb. I am in the market for a new verb though so thanks to the OP.
As it was mentioned so often in this thread and because I like the "never-on-sale-$50" marketing from Valhalla, I added Valhalla Room to my "soon to be purchased" list. Not because I'm convinced I will make my music sound much better than with RC48, but rather as a test to myself if it makes a difference. If it still sounds like crap, well, my fault then