GOLDSMITH YAY! +1 millionStill searching for the ideal reverb setup, but right now for my scores (Goldsmith style) I use a combination of 3 Vienna Suite's Convolution Reverbs (Teldex impulses) for different instrument groups, trimmed to 1-1.2 seconds. Over it all there is an algorithmic reverb, sometimes UAD Lexicon 442 and sometimes Valhalla. I've had decent results with the Vienna Suite hybrid reverb as well.
Seventh Heaven is great. Even the smaller one sounds fantastic to me. Also much love for Altiverb, B2 and Pro-R!Lots of great reverbs out there now... my current favorites are Liquid Sonics Seventh Heaven and Relab LX 480. EW Spaces and Valhalla Room also get used quite a bit.
Yes, I'm quoting a 1 year old post, just needed some way to insert myself into the discussion of this interesting thread.I think that for orchestral mock-ups especially, having good stereo placement and depth is more important than the actual reverb. I am in the market for a new verb though so thanks to the OP.
Let us know how it goes, I'm still using RC48 for most things and was wondering "Do I really need anything else?".As it was mentioned so often in this thread and because I like the "never-on-sale-$50" marketing from Valhalla, I added Valhalla Room to my "soon to be purchased" list. Not because I'm convinced I will make my music sound much better than with RC48, but rather as a test to myself if it makes a difference. If it still sounds like crap, well, my fault then