Haha trade secrets is appealing when you've spent hours putting a patch together... but really any savvy user can deconstruct what I've done in an Omni patch – by carefully tracing back what is modding what, following each signal path. Now if there was a way to "lock" as with Kontakt scripts ...I feel the same, often actually things are happening randomly or at least unpredictably and I'm personally really happy with that Totally with you on "when I just want to sit there and see where it goes"! If I've been sitting with my finger on a key for 20 minutes immersed and forgetting it's me "playing" what I'm hearing I know the patch can go in the pack
Maybe an "immersive/organic soundscape programming tips" thread might be fun, hearing other peoples' techniques could be quite inspiring. I'm not sharing mine though, trade secrets!!!
But really I'm not sure I'm cut out to sell presets. The idea of someone else's name in credits, when actually I programmed the sound they paid $0.30 for in a pack... maybe when it no longer takes me several hours to make something great.