So by that logic, I'm not actually allowed to render a line I made with Berlin Woodwinds and then load that rendered line into a sampler, even if it's just for the purpose of bouncing to free up resources, or to chop it up for some glitchy/sliced stuff in, say, Geist. Or trying to, say, de-noise a MA2 string sample in RX. Doing so would technically violate the license agreement, thus:
Not to suggest someone has not tried to tie a composers hands, but I haven't run across it.
I think EastWest does not permit licence transfer in any way so no such problems for them! But what happens if you are using their subscription service and you cancel it after you publish some of your songs? I suppose no problem as well!I have had a read of the following:-
Seems clear to me...
Even more reasons to respect EastWest as a company!I had to have a good poke around as I am not familiar with EW.
On their ComposerCloud page:-
EastWest ComposerCloud+ | Virtual Instruments Plugin Bundle
Limited Time Offer - ComposerCloud+ for just $149/year. Instant Access to all of EastWest's 42,000+ award-winning virtual instruments & DAW plugins.www.soundsonline.com
it says "Keep the instruments in your compositions forever, even if you leave (requires bouncing)"
So, bounce your composition and that's it... all good, for all time.
Even more reasons to respect EastWest as a company!
If you extracted, saved, isolated sounds of the library for later use after reselling the license, it will be illegal I bet you.
If you extracted, saved, isolated sounds of the library for later use after reselling the license, it will be illegal I bet you.
E. You may use any included EASTWEST SOFTWARE Audio Loops (compositions that contain a combination of sound samples that can be repeated to form a continuous piece of music) for a Production Music Library, also known as stock music or library music (original compositions or soundtracks created entirely by you using the EASTWEST SOFTWARE that you, in turn, license as an original composition or soundtrack to third parties for use in film, television, radio, or other media), subject to the following terms and conditions: (1) the Audio Loops must be used in a musical context with at least two other instruments that contribute significantly to the composition; and (2) The entire Audio Loop cannot be left exposed at any time in the composition. If you have any doubt a composition or soundtrack by you meets the foregoing criteria, you may submit the composition to [email protected] for written approval. Please do not send audio or MP3 files, send us a link to your composition on your web server.
You cannot use the audio from that track in any other composition