- Thread Starter
- Thread Starter
- #61
There's a new poll there now, here, which includes some of the wishes mentioned in this thread.
There's a new poll there now, here, which includes some of the wishes mentioned in this thread.
My main screen is a 40" retina screen by crossover. It happened in the LPX 10.0 cycle with my dual Dell screen setup as well.Same happens here daily! What screen do you use?
Maybe it's just me but I'd like to see the buffer size be project specific rather than a global setting.
If a have a project where I'm directly recording my guitar, in order to minimize latency, I want a small butter size, 32.
If I have another project where I'm mixing a lot of vi's then I want a larger buffer size, 512 or 1024.
Nothing is more frustrating than closing a guitar project with the buffer set at 32 then opening a large vi project and the buffer is still set at 32. Especially if all of your vi's are loaded in VEP and then you have to wait forever while they unload and reload. Maybe I'm not doing it right or maybe I should remember to think ahead and reset my buffer size before hand.
Work with the audio-bin regularly drives me crazy (however, maybe there is an option that i haven't found):
When working with large projects there are often hundreds of audio files and countless audio regions.
Often i want to get rid of unused audio regions, but:
A.) only in selected groups
or
B.) only in one or more audio files
When clicking select unused, all the regions pop up and a journey with no end begins...
That's really terrible.
If i work on a specific part i don't want to think about other audio files that i maybe can use.
And therefore another command that i would like is:
Select unused audio regions (but don't select audio files that contain only one region).
I was thinking the same thing a couple of hours ago.I wished for an ability to not reload all kontakt instances or disconnect and re connect VEP instances when changing buffer size.
I have a 36" ultrawide LG. Maybe it has to do with the size? I worked in another studio for a while with my Mac with me on a 30" Apple screen and it didn't happen a single time there. At home it's the same again.My main screen is a 40" retina screen by crossover. It happened in the LPX 10.0 cycle with my dual Dell screen setup as well.
It seems it's related to a locked state of the screen set.
How would you improve the actual drawing of CC's?A better way to draw MIDI CCs and Tempo information?
Sure - this would be very helpful, especially in a DAW which has only one timeline.A big wish for film composing would be the possibility to set a new "1" (= beginning) of a bar anywhere in the timeline.
Esx24 is so much more stable, especially when playing live.Well, it is very reasonable to doubt me on this
Kirk Hunter, who developed for both, once babbled something to me about the EXS24 having "non-linear release tails" or something, I don't know.
Here is what I am becoming convinced of, however, until proven wrong...QL: Spaces vs Altiverb, EXS24 vs Kontakt... the more features and control they give you comes at some sonic cost.
I can't prove it, but I believe it to be so.
Very often in a film there's a point where something should happen (i.e. door slams and music groove starts) and it's really time consuming to match this points by inserting 1/16th bars with extreme tempo changes and stuff to get a movie event to the beginning of a bar.
I'm talking about a film cue which might be full of the discribed situations. Imagine a 5 min action cue with 25 tempo changes and odd bars and stops an groove starts all over the place. For all new tempo starts it would be great to say: hey, start the bar here at 10.20.31.12! It's more or less the idea to have 25 audiofiles in your timeline and move them around to match the picture. And now imagine the timeline would follow the tempo and time signature of these audio files. And then imagine these audiofiles were midiYou can accomplish this by changing the SMPTE start time, no need for weird bars/tempo changes. You just can't have more than 8 negative bars.
In Pro Tools that's called insert beat I think. CMD-I...very useful indeed...I'm talking about a film cue which might be full of the discribed situations. Imagine a 5 min action cue with 25 tempo changes and odd bars and stops an groove starts all over the place. For all new tempo starts it would be great to say: hey, start the bar here at 10.20.31.12! It's more or less the idea to have 25 audiofiles in your timeline and move them around to match the picture. And now imagine the timeline would follow the tempo and time signature of these audio files. And then imagine these audiofiles were midi
I hope I could explain the idea?
I'm talking about a film cue which might be full of the discribed situations. Imagine a 5 min action cue with 25 tempo changes and odd bars and stops an groove starts all over the place. For all new tempo starts it would be great to say: hey, start the bar here at 10.20.31.12! It's more or less the idea to have 25 audiofiles in your timeline and move them around to match the picture. And now imagine the timeline would follow the tempo and time signature of these audio files. And then imagine these audiofiles were midi
I hope I could explain the idea?
A big wish for film composing would be the possibility to set a new "1" (= beginning) of a bar anywhere in the timeline. No matter how it will affect the bar before (might become a 135/2048 bar) but it would be extremely useful!
Very often in a film there's a point where something should happen (i.e. door slams and music groove starts) and it's really time consuming to match this points by inserting 1/16th bars with extreme tempo changes and stuff to get a movie event to the beginning of a bar.
Another wish for film composing is a count in click that matches the following tempo and time signature. When coming from a 6/8th bar at tempo 127 and recording into a 4/4 at tempo 90 directly after that is really hard to do. So I'd like to have a count in with muted music while counting the time signature and tempo from the upcoming bar.
Yes, would be helpful. Until then Logics Direction Mixer will do.I also would like an option between pan and balance in the mixer and tracks page. As far as I know, Logic is the only sequencer that uses balance instead of pan, making you reach for the Direction Mixer plugin if you want true pan.
STABILITY !!!
Same here. Can count crashes on one hand that happened this year and all had to with external plugins and/or big operations (like importing a second orchestra template into the same song having not enough memory). Never lost any data while crashes.It's stable on my end.