IdealSequenceG
Who seeks ultimate sequencing of VI
I also like the Spitfire Symphonic Brass, which has both Detache Legato and Normal Legato.
SSB sounds pretty good. it's one of spitfire's best libraries ever made besides the chamber strings.
No, it isn't, trust me. It's actually one of their worst (together with the two other embarassements that make up the Studio Series) in my opinion. An opinion, that is, based on weeks and weeks of terribly frustrating experiences with the pro version of what I quickly came consider an offensively sub-standard threesome.
Very mediocre recordings, the lack of essential samples being clumsily masked with blunt trickery, instruments many of which are completely incapable to speak the language of music expressively, sloppy programming and a disturbing amount of samples that even a home-based amateur developer wouldn't dare to include in his/her product. Here's https://users.telenet.be/deridderpiet.be/SB_Examples/SSB_FrenchHrn2_Legato.mp3 (an example).
Spitfire's Studio Series consists of three libraries that give new meaning to the term 'rigor mortis'. With sample libraries, there's always a degree of rigor mortis that you have to struggle with, and I don't mind — in fact, I quite like the challenge — but in Spitfire's Studio Series that all-pervading feeling of of petrified death is so bad and so paralyzing, that there is just no hope of ever emerging from the struglle victoriously. Awful. Truly awful.
Anyone ever heard anything good done with any of these three libraries? I mean, genuinely Spitfirishly good? I haven't. And we never will, because it's impossible.
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That was wonderfully painful. I'm proud of myself for making it through.Here's https://users.telenet.be/deridderpiet.be/SB_Examples/SSB_FrenchHrn2_Legato.mp3 (an example).
Very mediocre recordings, the lack of essential samples being clumsily masked with blunt trickery, instruments many of which are completely incapable to speak the language of music expressively, sloppy programming and a disturbing amount of samples that even a home-based amateur developer wouldn't dare to include in his/her product. Here's https://users.telenet.be/deridderpiet.be/SB_Examples/SSB_FrenchHrn2_Legato.mp3 (an example).
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Spitfire's Studio Series consists of three libraries that give new meaning to the term 'rigor mortis'. With sample libraries, there's always a degree of rigor mortis that you have to struggle with, and I don't mind — in fact, I quite like the challenge — but in Spitfire's Studio Series that all-pervading feeling of of petrified death is so bad and so paralyzing, that there is just no hope of ever emerging from the struggle victoriously. Awful. Truly awful.
Anyone ever heard anything good done with any of these three libraries? I mean, genuinely Spitfirishly good? I haven't. And we never will, because it's impossible.
_
Very mediocre recordings, the lack of essential samples being clumsily masked with blunt trickery, instruments many of which are completely incapable to speak the language of music expressively, sloppy programming and a disturbing amount of samples that even a home-based amateur developer wouldn't dare to include in his/her product. Here's https://users.telenet.be/deridderpiet.be/SB_Examples/SSB_FrenchHrn2_Legato.mp3 (an example).
Here's https://users.telenet.be/deridderpiet.be/SB_Examples/SSB_FrenchHrn2_Legato.mp3 (an example).
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Give the Solo Flute a try, Apostate:
https://users.telenet.be/deridderpiet.be/SB_Examples/---/SSWW_FluteSolo_Artefacts_C1-T2.mp3 (Example 1) (mics: C1 & T2) / https://users.telenet.be/deridderpiet.be/SB_Examples/---/SSWW_FluteSolo_Artefacts_C1-T2.mid (midifile)
https://users.telenet.be/deridderpiet.be/SB_Examples/---/SSWW_FluteSolo_Artefacts_C2-T1.mp3 (Example 2) (mics (C2 & T1) / https://users.telenet.be/deridderpiet.be/SB_Examples/---/SSWW_FluteSolo_Artefacts_C2-T1.mid (midifile)
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This is disheartening to read since I invested around 1K on it about a month ago but haven’t had a chance to use it yet.No, it isn't, trust me. It is, in my opinion, actually one of their worst (together with the two other embarassements that make up the Studio Series). An opinion, that is, based on weeks and weeks of terribly frustrating experiences with the pro version of what I quickly came to consider an offensively sub-standard threesome.
Very mediocre recordings, the lack of essential samples being clumsily masked with blunt trickery, instruments many of which are completely incapable to speak the language of music expressively, sloppy programming and a disturbing amount of samples that even a home-based amateur developer wouldn't dare to include in his/her product. Here's https://users.telenet.be/deridderpiet.be/SB_Examples/SSB_FrenchHrn2_Legato.mp3 (an example).
Spitfire's Studio Series consists of three libraries that give new meaning to the term 'rigor mortis'. With sample libraries, there's always a degree of rigor mortis that you have to struggle with, and I don't mind — in fact, I quite like the challenge — but in Spitfire's Studio Series that all-pervading feeling of of petrified death is so bad and so paralyzing, that there is just no hope of ever emerging from the struggle victoriously. Awful. Truly awful.
Anyone ever heard anything good done with any of these three libraries? I mean, genuinely Spitfirishly good? I haven't. And we never will, because it's impossible.
_
This is disheartening to read since I invested around 1K on it about a month ago but haven’t had a chance to use it yet.
The user-posted demos on the brass threads back when the library was released also suggest that the library will work well for many things. It has weaknesses that you'd expect of a comprehensive library at this price point, but it also has strengths beyond simply having lots of instruments covered. I still believe it would make a good complement to the SF Symphonic Brass, because it fills some noticeable holes in that library. That horn example @re-peat posted upthread is obviously not good, but it's also not a sound you'd likely use much in isolation.I agree with him on the flute, oboe and bassoon solos. But I thought the rest was excellent. I see you have the Professional, so that's extra cool.
I wouldn't worry too much about SStWW, it's mostly quite good. I'm actually glad Re-peat put the fair warning up about the solo Flute, which can be pretty lame. But there are other really excellent libraries for that instrument, off the top of my head the Hein (hard to go wrong with that developer and solo woodwinds). It certainly doesn't sink the whole library, far from it.
Just my opinion.