ed buller
Senior Member
Hi
I am curious weather anybody can point me in the right direction regarding techniques used in this sort of music. It's definitely
but where does the surrounding material come from. Is that made up of notes from the row just used as a pitch set rather than following a traditional serial approach ?
the row in use ( the b is heard earlier ! )
View attachment The Satan Bug; The Clue extract.mp3
I really don't like twelve tone music ( although I love Berg) are there disciplines and approaches that were used by the Hollywood crowd that where widespread and made this music sound so distinctive ?
I can hear the "Row sound" clearly here. Again the surrounding harmony sounds quasi tonal. are these the "berg Tricks ?"
best
ed
I am curious weather anybody can point me in the right direction regarding techniques used in this sort of music. It's definitely
but where does the surrounding material come from. Is that made up of notes from the row just used as a pitch set rather than following a traditional serial approach ?
the row in use ( the b is heard earlier ! )
View attachment The Satan Bug; The Clue extract.mp3
I really don't like twelve tone music ( although I love Berg) are there disciplines and approaches that were used by the Hollywood crowd that where widespread and made this music sound so distinctive ?
I can hear the "Row sound" clearly here. Again the surrounding harmony sounds quasi tonal. are these the "berg Tricks ?"
best
ed
Last edited: