nuyo
Active Member
When it comes to orchestrating Trailer Music,
most people tend to create big chords with "thousands" of sustained notes per chord.
Is that actually necessary or wouldn't it be enough to have a hard hitting bass, a counter melody, and one main melody.
So maybe only between 4 to 5 voices ?
most people tend to create big chords with "thousands" of sustained notes per chord.
Is that actually necessary or wouldn't it be enough to have a hard hitting bass, a counter melody, and one main melody.
So maybe only between 4 to 5 voices ?