VVEremita
Senior Member
TLDR: Can Tallinn be effective combined with Ark 2 to create the type of dark/industrial orchestral music that Ark 2 is meant for?
I know a user recently asked here about making Ark 2 sound like Tallinn. I'm kind of wondering the converse question. Tallinn sounds beautiful but I'm more interested in composing the type of "dark/industrial orchestral" music typical of the Arks (and especially Ark 2) than the types of tracks in the official list of Tallinn demos. Do you guys feel that Tallinn can be used effectively with libs like Ark 2 for that dark, brooding orchestral type of music? My sense is probably yes but my only concern is that perhaps aspects of the way Tallinn was recorded (the room, etc) may make it not blend well with other libs like Ark 2. Thanks for any input.
I have both Ark2 and Tallinn. I have not yet tried to blend them yet. My guess is that it can be done soundwise and that the aspects you mention (room etc) don't stand against it. Even though Tallinn was recorded in a church it still has that OT sound, as others have pointed out.
But the sound in terms of musical performances rather than room/mic positions etc is a very different story. The strings and the choir sound very gentle in the way they articulate. There are different articulations, but as far as I have explored them, they all share the same inner alignement towards tranquil and humble emotions. Other words could be: "Nordic", peaceful, contemplative, sacred, solace. This aspect is contained in the samples and very present in every note you play. That doesn't mean that it can't sound moving or even dark, but that it is more in the way sacred music does. After all it is close to the sound of Arvo Pärt, whose music stands in a strong religious context. It is emotionally captivating, yet delicate and tranquil.
I don't fully know how orchestral music can be industrial. The players and singers probably don't deliver the dark grit and texture you might be after. That is my opinion. Maybe there is no actual need to value the musical background of the library so highly and there are ways to overcome the underlying intention and performances. But if you succeed you run in danger of defeating the whole purpose of the library and what makes it great.