Yes, and those do present more issues for realism.You also realize that the tree mic configuration is composed of 3 separate mics, and that's merged down to stereo in the samples, so you're already dealing with crosstalk and time delay and mic overlap in the tree recordings?
What I am looking for is the conductor's perspective; having the closest thing to a one-point perspective as the starting point in an orchestration template. I am willing to use any device with any level of "artificial" manipulation as is required by the material or at the behest of the narrative into the beyond as each work develops, but I desire a clean slate at the onset.
Honestly, what I would likely prefer is binaural recordings from the podium with my own custom HRTF. I don't think Spitfire offers that yet