river angler
Senior Member
I have of course listened extensively to the walkthroughs of this library and others from the Spitfire camp and agree it does sound wonderful right out of the box. However I'm wondering how often it's inherent baked in room ambience that is still very present even when using just the close mic positions poses problems for presenting mixes correctly to clients.
A friend of mine uses Spitfire exclusively for his work but then often only for mock ups which end up being played by real orchestras. However when this library needs to be blended with other contemporary instruments (synths/sound design etc) to potentially end up forming the mastered orchestral part of a score I'm wondering just how many composers prefer to work with dryer samples in the first place offered by the likes of EastWest for example?
A friend of mine uses Spitfire exclusively for his work but then often only for mock ups which end up being played by real orchestras. However when this library needs to be blended with other contemporary instruments (synths/sound design etc) to potentially end up forming the mastered orchestral part of a score I'm wondering just how many composers prefer to work with dryer samples in the first place offered by the likes of EastWest for example?