And here's why this is such a no brainer for me:
First - the orchestral swarm Clarinet Whisper patch left me completely in awe of its texture, completely sold on the notion of clarinet textures, and well primed for any library that would dramatically expand the textured clarinet concept (I like the woodwind evo, but despite some superficial similarities, I really don't think it's the same concept at all). I was actually really hoping BDT would somehow be something like "Albion VI : at the edge of clarinets" (which I would instinctively buy just as instantly - because who wouldn't want an all clarinet library with enough range to for all-clarinet arrangements of Part?)
But additionally, I've also been spending a lot of time with the new solo strings getting to know its nuances, which are equally amazing.
And one of the sweet spots of SsS is in its ability to reply subtlety add delicate fine details on a more impressionistic textural background.
So what really sealed the BDT concept for me is this notion of the top velocity layer as what I'd call a kind of "middle detail" brush. More textural that finely sampled SsS legatos, but more detail than an evo or Albion V.
Perhaps I'm leaning a bit heavily on the painting metaphor , but beyond the visceral response to the textures of this library, this concept of a "middle detail brush" just instinctively feels a layer of brush detail that I didn't even know I was missing.