It's tiny but at the bottom in the middle of the screen is a little tiny white meter that shows like a balance for brightness. You can adjust that so it's more neutral with one of the sliders at the top. There is another one on the left that shows the balance between tame and recover which I try and keep somewhat balanced too but Blakus says go recover so maybe that's better.Am I missing something in my interface? Can you explain that?
OOOOOOOH, I gotcha. OK, I was just using my ears, and didnt realize what that meter was showing. I thought there was some small, magical "calibrate brightness" feature I missed.It's tiny but at the bottom in the middle of the screen is a little tiny white meter that shows like a balance for brightness. You can adjust that so it's more neutral with one of the sliders at the top. There is another one on the left that shows the balance between tame and recover which I try and keep somewhat balanced too but Blakus says go recover so maybe that's better.
Yea - I use those TWO sliders a LOT. To give it subtle polish. I also have tame and recover minimally set but always worth lowering the recover to hear it out. Thanks.It's tiny but at the bottom in the middle of the screen is a little tiny white meter that shows like a balance for brightness. You can adjust that so it's more neutral with one of the sliders at the top. There is another one on the left that shows the balance between tame and recover which I try and keep somewhat balanced too but Blakus says go recover so maybe that's better.
Curious about this too... Sculptor's ok on some things, but totally destroys others....How is this for orchestral samples? I’ve found Smart EQ2 and Neutron’s Sculpting tool, which seem similar in idea alter the timbre too much and tend to suck the life out of the samples.
yeah, Neutron Sculptor can be hit or miss. I think it's good sometimes but other times really bad. Worth trying sometimes.Curious about this too... Sculptor's ok on some things, but totally destroys others....
Cool, thanks.... Totally agree. Most of the neutron modules are pretty good but Sculptor's a bit of a dud... The punch and clarity setting's nice as a bus compressor, everything else is a gamble...yeah, Neutron Sculptor can be hit or miss. I think it's good sometimes but other times really bad. Worth trying sometimes.
I think Gullfoss is very good on orc stuff, but I use it on a bus or the master as it's good at making a lot of things together more clear. It's worth a demo to hear for yourself at least.
It's not a miracle worker but it gives a little polish I think.
I like to know your honest opinion on it and how you are using it. If you don't like it I'd like to hear about it.Cool, thanks.... Totally agree. Most of the neutron modules are pretty good but Sculptor's a bit of a dud... The punch and clarity setting's nice as a bus compressor, everything else is a gamble...
I would mainly use Gulfoss on busses anyway so hear that. The low latency mode is what finally makes it appealing. It'd be nice to have something like this into a production template that can be toggled on if needed.
I'll give the demo a spin and see what I think...
To be clear, I was suggesting to try full tame, not recover (which can introduce a whole bunch of extra high end)It's tiny but at the bottom in the middle of the screen is a little tiny white meter that shows like a balance for brightness. You can adjust that so it's more neutral with one of the sliders at the top. There is another one on the left that shows the balance between tame and recover which I try and keep somewhat balanced too but Blakus says go recover so maybe that's better.
Both are great. I tend to gravitate towards Soothe2 for specific problem areas, and Gullfoss for its overall magic.This or Soothe2?
I agree with this.Both are great. I tend to gravitate towards Soothe2 for specific problem areas, and Gullfoss for its overall magic.