Here are a bunch of preludes and fugues (almost all of them) from Bach's Well-tempered Clavier, Book 1, using SS's out-of-the-box classical setting--no amendments--*(I confess) b2 verb, which is sacrilege, of course, esp in JSB.
I'll add the proviso that I don't like what I've done in many instances. The piano sample is great, obviously; just ME, a distinct lack of musical taste, and my sloppy MIDI editing of files I made about 15 years ago (before I had an unfortunate interaction between a skill (make that "kill") saw and my right thumb). Anyhow, some of this stuff works well and some doesn't. A couple of preludes and fugues still use the HZP sample--c major prelude (no. 1); 2nd prelude; and fugues 14 F#- and 18 G#- if memory serves.
Each P & F are hugely different in character, obviously; so you get some sort of view of the sample in different types of music (even though its all BACH).
I may, in due course, switch all the files back to HZP. Not sure. With HZP you have really only 2 or 3 usable layers. Not good. I'll go out on a limb and say that Sam comes across as having a lot more character than the HZP. Interesting, since I think it's the same instrument. For sure, the tuning is totally different. But more important, there seems to be a completely different approach to the type of mics and to their plaement.
The other "stuff" on my SC site (none of which I like very much) uses the HZP and, of course, enormous amounts of B2 verb. Mea Culpa. Sue me.