Regarding humanization you have the same possibilities like in the VI Pro Player.Ben one little question...
Is it not possible to tweak the humanization parameter in the synchronized DS, like it could be done in the VI Version? thanks
If half of the content is already in BBO, then you would receive a considerable discount if you own the BBO libs. VSL has always done that. The only consideration for me is Synchronized Woodwinds vs waiting for a Synchron Woodwinds. Since they will be new samples, there will be no cross grade, likely.But I also hope that VSL will be crystal clear with their intentions, if they plan to release complete Brass and Woodwinds Synchron libraries. It's all very cool, but if half of the material was already in the BBO libraries, it becomes suddenly not so sexy.
I came to same conclusion and just hit send on my email to redeem my vouchers to Best Service. Of course after understanding how the synchron-ized stuff works in Synchron Player, now I'm wondering if Synchron-zed Woodwinds and Synchronized Dimension Brass would ultimately be more versatile than a possible future Synchron Brass/Woodwinds.I've watched this excellent demo by Stephen Limbaugh last night in my listening room, and it convinced me of the sound/tone of the dimension strings. That had been my worry, that despite all the awesome possibilites this library offers, that I would find it sounding too clinical. By the way: Great piece @Stephen Limbaugh!!
I feel the same as you do about spending a lot of my vouchers on this instead of waiting for the Synchron Brass and a sale on the Synchron Percussion, buit indeed this is the library that is most valuable to people that own many full orchestral suites already. This is unique.
Some samples do "age," particularly, in regard to the legato transitions. A staff member of a fairly large developer once said that the way they recorded for legato on some early libraries made it unfeasible to re-edit to more modern standards.The Synchronized series is not a repainting of outdated samples. It is a way to transfer timeless great samples to the most modern player. It's a project with a solid foundation, that is constantly made up-to-date.
Paolo
At the same time, many of us still agree that Cinesamples (but also VLS) were more successful with legato with their old libraries, than we can listen to in some more recent librariesSome samples do "age," particularly, in regard to the legato transitions.
@GingerbreadSome samples do "age," particularly, in regard to the legato transitions. A staff member of a fairly large developer once said that the way they recorded for legato on some early libraries made it unfeasible to re-edit to more modern standards.