rohandelivera
New Member
This is a music video for the SWAM Violin demo I did a while back.
It's an improvised Cadenza for an imaginary concerto.
It's an improvised Cadenza for an imaginary concerto.
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Sorry: The slow passages have a wonderful 'woody' sound...superb. But the fastest passages...no way. Is it physically possible? Not my concern: As a classical composer, my goal is to fit the musical 'impulse' with the best possible sound (all things being equal, given variables like time/space/money/imagination).
To my mind (and to my admittedly limited musical vision), a short synth lead/pluck would be preferable. Perhaps even a nice, tight harpsichord:
https://www.xperimentaproject.com/xperimenta-hapsicord/
For example, take the soprano Inva Mula in the 'Fifth Element':
Is it physically possible? Perhaps. Is it the best use of the human voice (outside of humorous, Sci-Fi sensibilities)?
But that's just my opinion. With art, there's no ultimate proof of concept.
Thanks for sharing!
I agree with you, Mario, as a lifelong professional violinist.Aren't some of those ultra-fast arpeggios nigh impossible to play on the actual instrument? Other than that, quite Paganini-like.
This is a music video for the SWAM Violin demo I did a while back.
It's an improvised Cadenza for an imaginary concerto.