Genki
New Member
Hey guys, I'm getting back to composing and I'm basically starting over with building my libraries collection, from zero. I've had this idea, but I don't know of it's a good one, so I need some of your thoughts to help me out.
Now here is the thing, I could get Albion ONE as a nice all in one to get me the orchestral stuff + perc that I need, I dont mind that it has ensembles and not sections, not at all. I also have a 30% discount on it, which brings it down to 314 euros.
BUT...
I still have Oceania and Fluid Shorts from PS and when it comes to Oceania I absolutely love the concept they go for with playability first. I love the fact that I can avoid keyswitches.
Now a choir alone isnt gona get me far heh, so I thought I would wait for the forthcoming Angry Brass Pro (this month I guess), as it seems it will have more instruments than their Caspian.
So a Brass library without keyswitches as well would be awesome imo.
Now they so some strings (Con Moto, Solo) but it will be a while before all instruments get released. As an alternative for string needs with a similar sampling philosophy I thought of getting Trailer Strings. It can do ppp to fff and has those cool Adventure Patches made with playability in mind.
This would be later accompanied by some perc.
Now I don't write any complex Williams style orchestrations, I go for epic, emotional, uplifting, dark, etc but nothing too complex in arrangement mostly.
I love the idea of avoiding keyswitches and programming as little as possible... Oceania is so fun to play and the fact that I can just well, play it, makes me come up with new ideas and in a more fun way then if I had to do it the normal way with keyswitches. It honestly makes the composing process a lot more fun for me, and I hate having a million articulations see of which are specialized FX, or stuff like trills, and others that I won't use that much. Honestly I'd rather have a library where I have the bare essential artics that I know I will make heavy use of.
I just have doubts that these PS/MS libraries may not do well in softer transitions and parts, hence there might not be a lot of versatility.
If anyone has these and uses them I would love to know your thoughts. Do you think for the music I want to make that I could use these as my main strings/brass libraries?
I watched Cory's and Mike Verta's vids on these, and read some threads here on VIC, but I'm still not sure with just how versatile they are.
Now here is the thing, I could get Albion ONE as a nice all in one to get me the orchestral stuff + perc that I need, I dont mind that it has ensembles and not sections, not at all. I also have a 30% discount on it, which brings it down to 314 euros.
BUT...
I still have Oceania and Fluid Shorts from PS and when it comes to Oceania I absolutely love the concept they go for with playability first. I love the fact that I can avoid keyswitches.
Now a choir alone isnt gona get me far heh, so I thought I would wait for the forthcoming Angry Brass Pro (this month I guess), as it seems it will have more instruments than their Caspian.
So a Brass library without keyswitches as well would be awesome imo.
Now they so some strings (Con Moto, Solo) but it will be a while before all instruments get released. As an alternative for string needs with a similar sampling philosophy I thought of getting Trailer Strings. It can do ppp to fff and has those cool Adventure Patches made with playability in mind.
This would be later accompanied by some perc.
Now I don't write any complex Williams style orchestrations, I go for epic, emotional, uplifting, dark, etc but nothing too complex in arrangement mostly.
I love the idea of avoiding keyswitches and programming as little as possible... Oceania is so fun to play and the fact that I can just well, play it, makes me come up with new ideas and in a more fun way then if I had to do it the normal way with keyswitches. It honestly makes the composing process a lot more fun for me, and I hate having a million articulations see of which are specialized FX, or stuff like trills, and others that I won't use that much. Honestly I'd rather have a library where I have the bare essential artics that I know I will make heavy use of.
I just have doubts that these PS/MS libraries may not do well in softer transitions and parts, hence there might not be a lot of versatility.
If anyone has these and uses them I would love to know your thoughts. Do you think for the music I want to make that I could use these as my main strings/brass libraries?
I watched Cory's and Mike Verta's vids on these, and read some threads here on VIC, but I'm still not sure with just how versatile they are.