@Cory Pelizzari - Great video on the StWW. Can you do me a favor? If you haven't already, can you send a support ticket to Spitfire about how unbalanced those articulations are concerning volume and dynamic equivalents between instrument?
I also noticed, in your demonstration of your custom multis, that the patches that utilized either the ostinatum or some arpeggiator script seemed to lack in confident timing. This leads me to believe that the samples don't have very good start times causing a few round robins to stick out as out of time. This was a major issue I had with Studio Strings. Subtle variations in the starting point of those samples is okay for natural humanization but there is a fine line where it goes from sounding like a professional group playing in time to an average high school or middle school group trying to play in time. Couple that issue with any latency you may already have and it just exacerbates a sequencing and programming issue when doing mock ups.
Anyway, those were just some of the issues with StWW I noticed in your review. You mentioned how unbalanced the dynamic range and volume is between the shorts and longs which, honestly, should be something the devs fix versus you having to spend time on it but the community appreciates it. Spitfire should certainly pay you back for that time, especially if you bought the library.
As for the other issue I mentioned, you didn't seem to draw any attention to it with your voice over so I don't know if it's something you felt was an issue. I'd be curious to hear your thoughts after spending some time writing some up tempo (140bpm+) Eighth note phrases with the shorts that mix in some 1/16 note patterns as well and lock them to the grid to test out how tight the samples sound. I'm really curious.
Cheers,
Chris