ein fisch
Dreamer
So this is a question for all the composers here that did learn music theory for a long time (5+ years), including ear training and all that good stuff;
Are your compositions still a try-and-fail sometimes or can you make faster decisions due to it (well i bet you can, but was that speed-up worth the hours/years of practice?)? Like knowing exactly if you're gonna use this voicing after the other voicing?
When i think of me after learning and practicing music theory for a couple years my goal would be to gain more control and not having to try and fail all the time. Like sitting down, listening to a piece of mozart and be able to sit down and instantly remake it in my daw without trying around like "hmm, did he use a 7th or normal chord there?".. am i hunting for something there which can be achieved?
Have a good day
Are your compositions still a try-and-fail sometimes or can you make faster decisions due to it (well i bet you can, but was that speed-up worth the hours/years of practice?)? Like knowing exactly if you're gonna use this voicing after the other voicing?
When i think of me after learning and practicing music theory for a couple years my goal would be to gain more control and not having to try and fail all the time. Like sitting down, listening to a piece of mozart and be able to sit down and instantly remake it in my daw without trying around like "hmm, did he use a 7th or normal chord there?".. am i hunting for something there which can be achieved?
Have a good day