(Might Contain Spoilers) The Dark Zebra in Game of Thrones S8 e3

Discussion in 'Soundtracks Discussion' started by Zee, Apr 29, 2019.

  1. Zee

    Zee Member

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    I had a wide grin on my face when i heard it and the patches he used for the dragon wing flap are just perfect
     
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  2. marclawsonmusic

    marclawsonmusic Senior Member

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    The piano music during the final confrontation didn't work for me at all. Nor did the dark color grading... or whatever they did to make it hard to see - I couldn't understand what was happening for most of the episode.

    Those two creative choices were risky and in this case I don't think either paid off.
     
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  3. DivingInSpace

    DivingInSpace Active Member

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    I wasn't fan of the color grading either, but i think the music worked really well, the piano parts too, though i would have done a few things differently and probably used another piano for it.

    Can you elaborate with which patches and when?
     
  4. OP
    OP
    Zee

    Zee Member

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    At the battle preparation before they head out the low bass and drones i believe those were "Bane Bass" and "Batflaps Performer" patches
     
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  5. Consona

    Consona Senior Member

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    Honestly, I couldn't stand majority of the music in the last episode.

    A minimalistic electronic score for a huge dark fantasy battle?! It was so inappropriate, unimaginative, obnoxious and repetitive. The whole time I was imagining how would a fitting orchestral score elevate the whole thing. The orchestra has no many colours and effects to offer to score such a thing, but no, we obviously needed a simple thudding ever-repeating low synth pattern and synthy drones. Eh.
     
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  6. LeonardWest

    LeonardWest New Member

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    I thought the piano music during the final confrontation was genius.

    Moving and gorgeous.

    I loved that they avoided the usual musical cliches throughout that episode.
     
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  7. lucianogiacomozzi

    lucianogiacomozzi Active Member

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    I thought the piano was okay... A nice contrast, however, I don't remember a single other bit of the score for that episode. It was bland and boring for most the fight. I do think the silence was used well in places, though. For a feeling of tension of the impending doom and the bitter cold, anyway.
     
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  8. marclawsonmusic

    marclawsonmusic Senior Member

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    Since Djawadi is known for doing covers, he should have gone with a piano cover of 'King of Pain' during that sequence. That would've rocked! :grin:
     
  9. Studio E

    Studio E Eric Watkins

    Yeah, the color grading almost had me shaking my fist at the TV.
     
  10. will_m

    will_m Active Member

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    I wonder what the schedule is for an episode like this, must be crazy, its an hour and twenty minutes of almost wall to wall music.

    I liked a lot of the cues, felt like a break from some of the previous work but these final episodes need that next level of drama. There was also some nice adaptation of previous themes, the one for the red woman was great.
     
  11. OP
    OP
    Zee

    Zee Member

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    IIRC they spent couple of months on filming this episode
     
  12. will_m

    will_m Active Member

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    I'm sure the production time was lengthy but I meant the time for post-production and scoring. They only wrapped shooting 10 months ago and each episode is like a film now, the last one was almost wall to wall score for 120 mins.
     
  13. VinRice

    VinRice ... i am a robot ...

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    I think the music has been great for this season so far. There's clearly been a conscious decision to move beyond the orchestration of the previous shows into more sound design. Perfectly appropriate imho. All bets are off for these final mini-movies.
     
  14. Sean

    Sean I don't know what I'm talking about

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    I thought that final piano piece was absolutely amazing, surprised others don't feel the same way.
     
  15. miket

    miket Team Dany

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    I thought that piano cue at the end of episode 3 worked, too. It brought the scene up a few notches.

    I've followed this show for so long, but I'm definitely too emotionally invested in one particular character, and as ridiculous as most of the material this season is, the character in question is sadly played by someone with the skill to absolutely sell that material... I'm prepared to get my heart broken in two weeks, considering how hard this last episode was to watch.
     
  16. NoamL

    NoamL Winter <3

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    I admit I'm not an HBO subscriber (and slowly stopped watching the show a few years ago). I watched some scenes of the last few episodes on YouTube and I thought the synthesizer music was something the uploader had added to avoid a copyright takedown. Putting those kinds of synths in GOT is a very strange choice.

    The show has had tons of TRULY smart music over the years. Like the way RD manipulated Theon's theme in season 2, the development of Jon & Ygritte's love theme in season (4?), and the way Ramin used the piano in the scene with Cersei's plot.

    I made this chart 5 years ago back when I watched the show religiously.

    [​IMG]

    The reaction to this season has been very divided and I can't help wonder if the music is subconsciously playing a role in that. New music and new sounds can only make the audience subconsciously feel a disjunction from everything that has come before. The White Walker theme has been teased relentlessly in every season... I think it might be the very first piece in the show actually... surely this episode was the chance to deliver on it the same way that the episode where Jon & the Wildlings climb the Wall was the episode to really deliver on the Wall motif that had been heard in earlier seasons.

    Of course it's easy to criticize from afar as a viewer. This might be the hardest composer job there's ever been in the history of television. Effectively the gig for this season is scoring 6 feature films back to back and somehow delivering a Howard-Shore-LOTR-sized payoff on more than 40 hours of prior score.

    On the plus side, there is a scene with Melisandre that uses her theme with an entirely new harmonization (as far as I know) and it rocks. That's the kind of thing that really makes a TV show musically fun, when the composer reveals they have been holding something in reserve for years. I had an irrepressible grin on my face watching that scene.

    Also say what ya like about the writing on the show but the actors are doing a better job than ever before. Very reminiscent of LOST in that respect. Dinklage, Clarke and the girl who plays Sansa (Sophie something?) all deserve Emmys.
     
    Last edited: May 7, 2019
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  17. MA-Simon

    MA-Simon Senior Member

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    I think aside from production value and music, Season 8 of game of thrones might be remembered as one of the most horrific examples of the butchering of a show, it's character, it's motivations and it's source material in the history of television. Among book readers it is considered an absolute turd.
     
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