I'm in love with the dry sound (senza riverbero) and mic selections. The shorts are so very nice. Longs as well. What an aggressive chambery sound!
Legato patches are a little hitchy and uneven. Schlorp schlorp at note transitions.
I get the feeling fast legato passages are not what I'd grab L&S for, but that slower legato stuff would sound really nice.
The pizz reveal the room sound. Yeah, sticky, but also a beautiful scoring stage environment.
I'm torn. At 19:53, does one say "excuse me," or walk to the other side of the room?
Maybe all this library needed was a celebrity chef to demonstrate its flavors.
Well done, and thanks.