It looks this post should be named from the beginning like "LA Modern Percussion With Alan Meyerson *INTRO PERIOD ENDS IN 1 WEEK!* (only positive feedbacks are allowed)"
Why you so painfully accepting a critics ? Every member here is free to share the own experience with that library.
And yes, it will be good if Alan will re-record this library from the beginning. Because it still incomplete as I said before
Thanks so much for the Edu discount on top of the intro price.
Actually I just created a demo for LA Modern Percussion that features mostly all close mics for a very intimate and drier sound. I also used a lot of the solo instruments and stacked those solo instruments to create width but without making it feel 'large'.
The library is actually excellent at not only epic large and roomy stuff but also for that organic and intimate stuff. This is due in part because of the way Alan recorded it but also because Warner Brothers is that sweet spot of not being too big and not too small to where you can really craft the size. And with all the clarity in the recordings you can really bring out detail with the closer mics.
Hopefully my track shows off LA Modern Percussion in this versatile way. It's not just an epic blockbuster library (which it does very well) but it's also able to handle underscore or intimate percussive tasks.
Educational discount is the reason I want to become a student again hehe
Really enjoying the library!
so many great things
I really love the sub hits but they don’t trigger instantly, i know i can tweak them in the interface but for all the instruments creating the sub hits it is easier just to put in my sequencer and deal with the delay.
Of course on multis if I only had to tweak once that would be optimum…I wonder if you can create simple patches made from the multi for this purpose that trigger quicker.
I find the soud design patches absolutely fantastic. And those looooooong tails and reverbs.
Really awesome !!! And the subs ....waouhhh.