I did a small test of the Prometheus theme if that countsI’m looking for some exposed French horn solo lines. Any user demos? (Preferably with 1.6 in case there were any improvements.)
Got anything in particular in mind? Preferably something with MIDI so only minimal tweaking is involved.I’m looking for some exposed French horn solo lines. Any user demos? (Preferably with 1.6 in case there were any improvements.)
Twist my arm.Got anything in particular in mind? Preferably something with MIDI so only minimal tweaking is involved.
Twist my arm.
Well, since you asked, I guess the first thing I'd throw at it would be this, and compare / contrast with the results from Majestic Horn.
Minimal tweaking.
First pass is the "default" Legato patch as soon as you load it up. The 2nd pass enables some more mics, round robins, convolution and "Longer".
Twist my arm.
Well, since you asked, I guess the first thing I'd throw at it would be this, and compare / contrast with the results from Majestic Horn.
Minimal tweaking.
First pass is the "default" Legato patch as soon as you load it up. The 2nd pass enables some more mics, round robins, convolution and "Longer".
Cool idea with the vibrato! It adds to the realism, sounding almost like that slightly quivered breath flow which brass players sometimes encounter.Here's a quick and dirty edit (MP3 and MIDI). Had to add some modulation data so it didn't sound too flat. I did add a little touch of vibrato in a few spots too (CC21) for fun.
All three examples are Horn 1 default settings, no changing of seating positions or mic levels.
#1 Mozarteum (RT 1.5)
#2 Bersa Hall (RT 0.9)
#3 Studio RT (0.5)
Twist my arm.
Well, since you asked, I guess the first thing I'd throw at it would be this, and compare / contrast with the results from Majestic Horn.
Minimal tweaking.
First pass is the "default" Legato patch as soon as you load it up. The 2nd pass enables some more mics, round robins, convolution and "Longer".
Yes agreed.Amazing how you can have three different people do the exact same part with the same library and it comes out in three distinctive flavors. These libraries are the End Game for me.
I'm never gonna say no to this theme
MIDI attached. Obviously, direct MIDI from your instrument doesn't work with Infinite, so you'll find different CC1 and Vibrato (CC20/21). Notes and timing are the same.
I did a little test trying to recreate this woodwinds combo
Oboe, Clarinet, Bassoon are IW
Horn is SM
It's just the very first bars of this link
Infinite experiments...
Max
View attachment IW test.mp3
I actually really liked your interpretations(s)My MIDI massageing could also use a bit more work, I guess...
Aaron is our master but yours is darn cool too. I like the dark bassy sound you went with. Just shows how flexible IB can be. I only miss some subtle progressive vibrato here and there to add even more expression... like a real player would do (careful to not over do it, you don't want to sound like a synth XD)EDIT: Too late...
I found the Soloist position especially intriguing for this kind of work, so I chose that. (My MIDI massageing could also use a bit more work, I guess...)
File A – Solo position, Mics out of the box, Mozarteum
View attachment IB1.6-Force-A.mp3
File B – Solo position, Mixed mic 4, Bersa
View attachment IB1.6-Force-B.mp3
Cool idea with the vibrato! It adds to the realism, sounding almost like that slightly quivered breath flow which brass players sometimes encounter.
I did...I love Carion!!! I've been following them for years, you should look up the Ligeti Six Bagatelles!
Getting better and better... you will soon master the arts of the InfiniteStill doing some Synchron SSP / Infinite blending tests. Ha! There's some IWW Contra Bassoon under the Basses. This is a quick test, so not a lot of attention for the "orchestration". Sounds like a 1950's SciFi track.
Can you ever really master infinite possibilites?Getting better and better... you will soon master the arts of the Infinite