In any case, be sure to download "Shreddage 3 Stratus Free" if you have a full version of Kontakt
I'm looking for a guitar that can play the tones in these soundtracks:
, plus with enough versatility to play others. And I've been wondering if I should get Strawberry or Shreddage.
Electri6ity is too expensive, only a last resort.
Why would you pick it over S3? Just curious.I have Shreddage 3 and it's a very good product, but might I suggest you consider Heavier7Strings? It's more versatile than their marketing might suggest.
S3 has a very advanced engine for mapping notes to how they might be played on a guitar and many other features, but I haven't been able to make it handle more softly-played notes well at all. I've played [real] guitar for a very long time and know that varying dynamics are really key to bringing out the expressiveness of a piece. With S3 I feel like it is always playing them marcato, losing the relative emphasis that is so important.Why would you pick it over S3? Just curious.
S3 has a very advanced engine for mapping notes to how they might be played on a guitar and many other features, but I haven't been able to make it handle more softly-played notes well at all. I've played [real] guitar for a very long time and know that varying dynamics are really key to bringing out the expressiveness of a piece. With S3 I feel like it is always playing them marcato, losing the relative emphasis that is so important.
A lot of players will play every note full-bore and ignore dynamics, especially with the gain cranked up, so this is just fine for emulating certain pieces, but I find it very frustrating when trying to get a more expressive dynamic range. You can get the Yngwie mid-shred easily enough with S3, but the Satch musicality is a lot harder to produce.
While H7 is a little klunky and buggy, and the tone isn't quite as nice as S3, the dynamic range and playability makes it more versatile as an instrument. They both have fine suitability for power chords although palm mutes are never quite what they should be. The strange truth is that for stuff outside the "it goes to 11" solos, I find H7 much more expressive dynamically. HTH.
Yes, that's right and I play it with modified scaling (and have tried drawing different velocity curves), it just always appears to be effectively stuck in f-fff range albeit played more quietly. Perhaps it's operator error, but if so I'd love to know how to get a fuller range.Thanks for the explanation, that makes sense. I only do high-gain stuff so I don't mind that. Iirc S3 has a switch or knob in TACT for scaling volume more with note-velocity, maybe that could help you a bit?