You know, I’ve heard the same sort of comment from people like you for thirty years. If I am so boring and of such little value compared to what my friend Elliot does… I’d love to hear the consistency and innovation of your superior output from the last thirty years. This, after all, is a forum of composers and not critics, so surely you will now post some of your music to show your brilliance…I just heard the score and didn't like it. Just not interesting enough for me and it bored me.
We are apparently supposed to prefer this over a brilliant, freewheelingly imaginative orchestral score by Elliot Goldenthal, who would have been perfect for this.
This score will probably get praised to heaven as is usually the case with these kinds of big Zimmer scores...
why do you think that a post-romantic score with traditional instruments wouldn’t be a missed opportunity to let one’s sonic imagination embrace a different time in a galaxy alien to us?
let’s hear what you come up with, in the confines of the pressure of a huge production in the time of Covid. A free-wheeling orchestral romp wasn’t really on the cards during lock-down.
i am surprised I bored you… but maybe you need to widen your gaze a little.
But truly: let’s hear your ideas for this film. if you’re any good, I’ll help you get a big, shiny blockbuster film…I’m all ears For a new voice and someone who can maintain a career for 30 odd years and not getting boring…
-Hz-