OK, so a VCR in a stompbox, do we really need this???
Last week I made a video for Spitfire audio that demonstrated how I would go about pitching for a job in a way that broke with tradition got noticed and hopefully would be successful. But some of you asked “but where do you find the opportunity to pitch?”. The answer is both simple AND difficult for some to swallow, because…. Well, check out the video. We’re in a golden age of creation, be a part of it by anyway possible.
Thanks JonS, I think it is also important not to get an agent TOO EARLY, you will have nothing to negotiate with, our industry is littered with shite deals made at the beginnings of careers. But possibly more important why hand of the controls of your career without setting a course for yourself. I have seen people get an agent then sit around on their arse for a year waiting for the phone to ring, and when they finally get off their arses and get a job using their own tenacity are suddenly incredibly hacked off that their agent is taking 20% and a 50% publisher's share of their authorship!I totally concur with you, Christian!! Another wonderful video!! It is very important that a composer develops their chops as well as every controllable aspect of their career as best they can so if and when that opportunity arises one is as prepared for success as possible!! Well said!! Getting an agent is not easy as one either needs a large body of work before an agent will get interested in repping you or a major credit with an A-list producer or director who wants to work with that composer again.
Is this the ultimate orchestral expression controller???
Is this the ultimate orchestral expression controller???
Monogramming dress shirts is upper limit these days. But there's always _Bit to rich for my blood being a hobbiest but looked very nice!
Is this the ultimate orchestral expression controller???
I was thinking the same thing.It's ironic that you didn't make the big spinning wheel map to...the big spinning wheel in the Spitfire plugin.