CGR
Pianist, Composer & Arranger
Further to the C.Bechstein Digital Grand (Kontakt version) here's a short passage I played with the Side Mic perspective fully Dry, then with 55% of the built in Chamber Reverb, and then with 55% Chamber Reverb + some Exponential Audio Nimbus Neutral Hall reverb as well.
The C.Bechstein Digital Grand has a lot going on "under the hood" when you adjust the settings (of which there are many). For example the built in reverb doesn't just get thrown over the top of the Dry sound - there are subtle behind the scenes adjustments happening to achieve the most natural result.
Being C.Bechstein's own product, it's an extremely well conceived, sampled and programmed sampled piano. I've worked with it on many tracks for myself, and for producing tracks for digital piano based pianists (ie. they don't use a DAW).
The C.Bechstein Digital Grand has a lot going on "under the hood" when you adjust the settings (of which there are many). For example the built in reverb doesn't just get thrown over the top of the Dry sound - there are subtle behind the scenes adjustments happening to achieve the most natural result.
Being C.Bechstein's own product, it's an extremely well conceived, sampled and programmed sampled piano. I've worked with it on many tracks for myself, and for producing tracks for digital piano based pianists (ie. they don't use a DAW).