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I wanted to post some information about a string library I've been building called Con Moto.
Active-Bowing
Con Moto features “active-bow” sustains which are “breathing,” non-static longs that move and evolve while simultaneously maintaining dynamic/timbre – via both performance and creative editing. They create a feeling of constant “re-phrasing,” musical restlessness, and emotive adjustment in the bowing. You can play with a tech demo of this concept by clicking https://performancesamples.com/activebowtechdemo/ (here).
Here's a short article I wrote on the 'active-bow sustain' approach used in Con Moto.
Legato Con Moto
The legato in Con Moto is recorded “in motion,” with musical movement and expressive vibrato.
Performance Attacks and Releases
Similarly to Oceania and Caspian, Con Moto’s attacks and releases are pulled from performance phrases, for better ensemble cohesion and playability/flexibility. Alongside this is the functionality to play both short and long notes naturally, purely based on note duration (like Oceania and Caspian).
The Hall
Con Moto is recorded in the same hall as Fluid Shorts and Caspian, and features four mic positions: close 1st chair, close section, decca, and wide.
Con Moto – Cellos: available
Con Moto – Violins A: available
Con Moto – Violins B: available
Con Moto – Violas: available
Con Moto – Basses: available
Con Moto - Complete Bundle: https://performancesamples.com/conmoto-completebundle (<b>available</b>)
Active-Bowing
Con Moto features “active-bow” sustains which are “breathing,” non-static longs that move and evolve while simultaneously maintaining dynamic/timbre – via both performance and creative editing. They create a feeling of constant “re-phrasing,” musical restlessness, and emotive adjustment in the bowing. You can play with a tech demo of this concept by clicking https://performancesamples.com/activebowtechdemo/ (here).
Here's a short article I wrote on the 'active-bow sustain' approach used in Con Moto.
Legato Con Moto
The legato in Con Moto is recorded “in motion,” with musical movement and expressive vibrato.
Performance Attacks and Releases
Similarly to Oceania and Caspian, Con Moto’s attacks and releases are pulled from performance phrases, for better ensemble cohesion and playability/flexibility. Alongside this is the functionality to play both short and long notes naturally, purely based on note duration (like Oceania and Caspian).
The Hall
Con Moto is recorded in the same hall as Fluid Shorts and Caspian, and features four mic positions: close 1st chair, close section, decca, and wide.
Con Moto – Cellos: available
Con Moto – Violins A: available
Con Moto – Violins B: available
Con Moto – Violas: available
Con Moto – Basses: available
Con Moto - Complete Bundle: https://performancesamples.com/conmoto-completebundle (<b>available</b>)
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