DouglasGibsonComposer
Member
So far I have found my EIS study to be interesting and rewarding. The other week I received books 5&6, and I am rather disappointed looking over the content of book 5. The whole thing seems like a step back, or even a few steps back in its sophistication. Book 6 looks interesting. Essentially I just want to skip book 5 and go right to 6.
I am wondering, does anyone have any words of inspiration ? Did you get anything out of book 5 ? I played through a number of the student examples and they all seem so pedestrian. The composing from patterns seems vaguely interesting, but all the others seem like it is covered out of obligation and not very inspired ? I would love to be wrong about this. I am trying to muster up the motivation do these exercises, but wonder why when there are so many glorious diatonic passages from traditional theory books. So far there seems no way to compare these with the examples of Beethoven, Brahms and the other "Usual Suspects"
Anyhow, just looking to vent.
I am wondering, does anyone have any words of inspiration ? Did you get anything out of book 5 ? I played through a number of the student examples and they all seem so pedestrian. The composing from patterns seems vaguely interesting, but all the others seem like it is covered out of obligation and not very inspired ? I would love to be wrong about this. I am trying to muster up the motivation do these exercises, but wonder why when there are so many glorious diatonic passages from traditional theory books. So far there seems no way to compare these with the examples of Beethoven, Brahms and the other "Usual Suspects"
Anyhow, just looking to vent.