puremusic
Active Member
For those of you who mix with the Spitfire Symphony Orchestra, what reverb do you use to bring other instruments into its space well?
with front and back you mean a quad setup or do you use two types of IRs stereo?Spaces II is pretty fantastic. Find a hall you like that includes instrument placement and apply to all your orchestra sections. Then add overall a good hall sampled front and back and gently add that to everything, the orchestral way of 'gluing' everything together. This outperformed, for me and my libraries, following Allan Meyerson's instructions, though that sounds pretty good too.
Spaces II is pretty fantastic. Find a hall you like that includes instrument placement and apply to all your orchestra sections. Then add overall a good hall sampled front and back and gently add that to everything, the orchestral way of 'gluing' everything together. This outperformed, for me and my libraries, following Allan Meyerson's instructions, though that sounds pretty good too.
No, he does not use spaces or spaceII. Wealth of good info in the video though:Haven't watched that Alan Meyerson video. Can you elaborate? Does he use Spaces?
Not quad setup. I mean they have impulses taken from the back of the hall and the front of the hall in addition to many stage locations of instrument sections. In the making of Spaces II they also took care to fire impulses in the predominant direction the instruments do, such as the french horns area of the stage, they fired the impulses to the back. It is an impressive spacial tool and pretty light on the cpu at the same time... winning combination for me!with front and back you mean a quad setup or do you use two types of IRs stereo?