@Salorom 1. Wrong thread, 2. we still don't talk about future plans, so I will not comment this.
1. True, I only replied to something you wrote, though. The release of a strings library that was recorded on the Synchron stage and sounds so different from a previous installment is bound to trigger comments.
2. Right
Yes, you can use them together. They blend perfectly imo (just tried it out
).
May I also respond to this, as I respectfully disagree and I think it's an important one. I do not own Lyra or Musca, but given their tone and spatial characteristics, I have strong doubts about this, not in a practical scenario. For layering sure why not, it all comes down to personal tastes. But using them both separately in the same project and make it so that none stands out? I'm eager to hear a piece where I can't 100% tell what's what, because their general features, perspective and sound are so unalike. I would bet they actually blend perfectly with Synchron FX Strings, though.
And that is a major concern: VSL to me is usually synonym of consistency. That's why I love this company. Synchron Strings I definitely does not feel consistent with regards to other strings installments of the same Synchron family. So you'd have to choose one colour/library over the other(s), which is a shame given the fact they all come from the same soundstage.
Say the rest of the Synchron strings development eventually heads towards the general (very pleasing) sound of Lyra, Musca and Synchron FX Strings, what good will Synchron Strings I be in my palette if every time I use it, it screams 'not from around here'?
Enough with the off-topic rant, I do wish VSL all the best with their Synchron endeavour. Pretty please, just make it right.