I agree, though of course the benefit with CSB here is also that this was originally played in with CSB, so the nuances of reacting while you're writing the line is more intuitive there. What I particularly like about CSB, oddly enough, is what I also particularly like about MSB: CSB has a bit more room and fuzz in it, which make soft chorales like this sound more realistic. MSB, on the other hand, is extremely clean. This makes it extremely flexible, but a little harder to make convincing sometimes when exposed.Well, those are pretty close. I think CSB is better in spots, specifically the beginning, and maybe a bit overall - but only a by a little bit.
Thank you! I truly find MSB very playable, but it requires more CC writing to control each parameter of the sound, whereas CSB is straight-out-of-the-box gorgeous. Just my style, but I find the slider control for attack less intuitive than velocity, and the dynamics CC velocity-scaled less controllable than simple CC. But to each their own. There are a number of controls for tuning, so I am hoping there's flexibility to reduce the precision as well, create a bit more strain....and thank you for doing so, Duncan, this is MUCH more like it. I liked both, the overall difference is that to my ears MSB edges it for realism. It's a bit more precise, and while CSB has a beautifully flattering tone MSB more than holds its own, with perhaps a little less aural hype, as it were, a little less artificially big.
I think the settings you used sound spot on, and this is the first vibrato I've noticed - sounds much better than I was expecting in context, given its an effect.