In addition to the previously released Logic Articulation Set, we have just released a colossal Cubase Expression Map for Articulate Presets that raises the bar as to what can be done with Cubase Expression Maps! With over 100 implemented attributes and directions and over 2500 individual expression definitions this is very likely by far the most extensive and detailed Expression Map ever created. It allows you to access all articulations with all their different versions directly and conveniently in Cubase’s various editors via standard musical symbols (like “-” for portato or “^” for marcato) and clear text (like “con sord.”, “slow” or “2s”)—yes, we really mean everything included in supported VSL full libraries! I.e. no additional Midi events besides the notes are required and you do not have to memorize program change numbers and controller assignments to access all sounds—including phrases realized via VI pro’s Auto Playback and Pattern (APP) sequencer.
Wherever possible, the Articulate Presets Expression Map adapts the conventions of the VSL factory map to make it easy for users that have used it before. I.e. the score symbols and text identifiers defined there are also available in the Articulate Presets Expression Map, but the Articulate Presets Expression Map introduces many more identifiers and gives you thereby far more control over the playback of your music. In particular it fully supports Articulate Presets's signature 3D-control.
The VSL is still unmatched when it comes to recorded dynamic transitions, phrases, ... . They can strongly increase the realism, but for most users they likely sit unused on their disk since up to now they required a significant effort. With Articulate Presets and the Cubase Expression Map, using them couldn't be simpler: E.g. you can conveniently select a recorded fast minor upwards run in G♯ by selecting the score symbol “↑”, representing an upwards run, and the three text identifiers ”fast”, “min.” and “6/G♯” from the list—or similarly the third version of a downward whole tone run realized within the APP sequencer by selecting “↓”, “whole” and “III”. As you can see the usage is completely self-explanatory.
In addition to the standard program change messages used by Articulate Presets, there is also a version of the Expression Map that allows you to access the main articulations directly via key switches. These follow the universal layout introduced by Babylon Waves's Art Conductor. Due to the additional continuous controllers employed by Articulate Presets, a single octave gives you access to all essential articulation versions (as well as the intermediate nuances), so that you have everything at your fingertips.
Since we want to give you the chance to check Articulate Presets and the unprecedented integration into major DAWs out, we have also released a comprehensive Demo package. It contains the complete Articulate Preset for the Second Flute (both Standard and Full versions), selected matrices from other libraries, as well as the complete Cubase Expression Map and Logic Articulation Set. Moreover, it includes the full documentation so that no questions should remain unanswered.
We are sorry that due to unforeseen technical problems there is still no video, yet. However, trying Articulate Presets yourself should be even better anyway. To celebrate this release, we have also extended the introductory pricing until end of April. Enjoy testing Articulate Presets and see for yourself!
Wherever possible, the Articulate Presets Expression Map adapts the conventions of the VSL factory map to make it easy for users that have used it before. I.e. the score symbols and text identifiers defined there are also available in the Articulate Presets Expression Map, but the Articulate Presets Expression Map introduces many more identifiers and gives you thereby far more control over the playback of your music. In particular it fully supports Articulate Presets's signature 3D-control.
The VSL is still unmatched when it comes to recorded dynamic transitions, phrases, ... . They can strongly increase the realism, but for most users they likely sit unused on their disk since up to now they required a significant effort. With Articulate Presets and the Cubase Expression Map, using them couldn't be simpler: E.g. you can conveniently select a recorded fast minor upwards run in G♯ by selecting the score symbol “↑”, representing an upwards run, and the three text identifiers ”fast”, “min.” and “6/G♯” from the list—or similarly the third version of a downward whole tone run realized within the APP sequencer by selecting “↓”, “whole” and “III”. As you can see the usage is completely self-explanatory.
In addition to the standard program change messages used by Articulate Presets, there is also a version of the Expression Map that allows you to access the main articulations directly via key switches. These follow the universal layout introduced by Babylon Waves's Art Conductor. Due to the additional continuous controllers employed by Articulate Presets, a single octave gives you access to all essential articulation versions (as well as the intermediate nuances), so that you have everything at your fingertips.
Since we want to give you the chance to check Articulate Presets and the unprecedented integration into major DAWs out, we have also released a comprehensive Demo package. It contains the complete Articulate Preset for the Second Flute (both Standard and Full versions), selected matrices from other libraries, as well as the complete Cubase Expression Map and Logic Articulation Set. Moreover, it includes the full documentation so that no questions should remain unanswered.
We are sorry that due to unforeseen technical problems there is still no video, yet. However, trying Articulate Presets yourself should be even better anyway. To celebrate this release, we have also extended the introductory pricing until end of April. Enjoy testing Articulate Presets and see for yourself!
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