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Audiobro Modern Scoring Strings

I still don't quite understand why that isn't part of the installation process. The whole thing doesn't exactly make sense to me
Since it makes your library incompatible with previous versions of kontakt, maybe it shouldn't happen by default, but still be an option during installation... It's pretty odd. It took at least a minute for my machine to load an MSS patch before batch resave and maybe two seconds to load a patch after...
 
I think its because Kontakt cant know before you install a library exactly where you are installing so it needs you to specify in the batch resave which speeds up the loading. Key sentence :. Kontakt has the ability to store sample path information for a library specifically for your machine and hard drive configuration
That's the user friendly answer, but for a techie, it doesn't answer much. When you set a location for your library say e:\audiobro\etc or what not, that already tells Kontakt where to look on your machine when you load it from the library gui.

I found this link courtesy this useful thread which goes more into detail. It turns out it has less to do with your specific computer, and more as to whether or not your computer and the developer's computer was a Mac or PC (I wonder if this is why my Spitfire libraries open so blazing fast out of the box on my PC without batch resaving): "The problem arises when you take an instrument saved on a Mac and open it on the opposite PC platform (or vice versa). Because the sample references inside the instrument differ slightly from the opposite platform, Kontakt can't utilise on the NKC cache and has to use the long-winded process of searching the drive and files every time you load the NKI."

If I can glean anything from it, it sounds like there is potential risk involved (easily mitigated by backing up your instrument files before saving) so maybe this is why it isn't done automatically.

 
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Care to provide an example?? There's virtually no information or examples of the solos AT ALL and that would be a big draw for me..
Actually i stand corrected...i was wrong...i tried the CELLO only which
actually is good but every other Solo Sucks. Violin 1 Worst i think.
Holly hell the CPU Mark on this, a lot worse than u-He Diva.
 
Actually i stand corrected...i was wrong...i tried the CELLO only which
actually is good but every other Solo Sucks. Violin 1 Worst i think.
Holly hell the CPU Mark on this, a lot worse than u-He Diva.
oy. how about the intuition patches? Is the playability/tone any better?
 
That's the user friendly answer, but for a techie, it doesn't answer much. When you set a location for your library say e:\audiobro\etc or what not, that already tells Kontakt where to look on your machine when you load it from the library gui.

I found this link courtesy this useful thread which goes more into detail. It turns out it has less to do with your specific computer, and more as to whether or not your computer and the developer's computer was a Mac or PC (I wonder if this is why my Spitfire libraries open so blazing fast out of the box on my PC without batch resaving): "The problem arises when you take an instrument saved on a Mac and open it on the opposite PC platform (or vice versa). Because the sample references inside the instrument differ slightly from the opposite platform, Kontakt can't utilise on the NKC cache and has to use the long-winded process of searching the drive and files every time you load the NKI."

If I can glean anything from it, it sounds like there is potential risk involved (easily mitigated by backing up your instrument files before saving) so maybe this is why it isn't done automatically.

Ah that might have my answers. Thanks!
 
Actually i stand corrected...i was wrong...i tried the CELLO only which
actually is good but every other Solo Sucks. Violin 1 Worst i think.
Holly hell the CPU Mark on this, a lot worse than u-He Diva.
Happy birthday, are you not liking your wife’s new present ?
 
For those who already have MSS - and since it seems to be established that it does not sound very similar to LASS, to what other string libraries would you compare the sound?
 
For those who already have MSS - and since it seems to be established that it does not sound very similar to LASS, to what other string libraries would you compare the sound?
From the demos, to me it kind of sounds like NSS. I seem to be the only one who feels this way lol but that's ok. Some people compare it to Hollywood Strings but i only hear that comparison in the sordino (i only own the expanded legato)
 
For those who already have MSS - and since it seems to be established that it does not sound very similar to LASS, to what other string libraries would you compare the sound?
I own a lot of Strings Libraries and tried to Compare.
To me the Closest is coming is BBC SO PRO. Its ROUND,
warm, you do not hear each player separately like in
EW HS or Synchron Strings Pro or even LASS.
I can not explain, it sound more like 1 unified Instrument
then 15-20-30 Players. It is more Soft and Mellow but also
it can get very aggressive. It has huge Dynamic Range.
 
... It is more Soft and Mellow but also
it can get very aggressive. It has huge Dynamic Range.
I'd love to hear some more demos that focus on dynamic range. How soft, how aggressive. Not just by mod wheel position but in your writing how aggressive can you get it to sound (think some Shostakovich) and at the same how delicate can it get? Showcasing maybe more of an emotional range than the purely technical pre-requisites that the libraries might fill based just on numbers alone.
 
I have asked the creator and he answers that all the strings that sound are Modern Scoring Strings. He has not layering with other libraries and the only "external" that he has included is the French Horns from Audio Imperia's Jaeger.
I think it's the settings he is using. MSS allows for a lot of shaping. I'm not so good at shaping sound. Though sometimes it it fun to try and I shouldn't get horrible loud sine waves playing with this as I would playing with a synth - normally what you use to learn about shaping sound.
 
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