MSutherlandComp
Composer
Hey everyone! This took me about 5 days, so I thought I'd share this mockup I did of the first part of "7Tsuno:the1" by Hiroyuki Sawano.
I've never transcribed or mocked up a piece by anyone other than myself before, so it was an interesting experience, to say the least. Different experience than Score Study for sure.
There's a lot going on in the piece, so I make have made some assumptions, and/or embellished a line or two .
Notes:
- For strings, I used primarily Con Moto and Fluid Shorts, which I thought would be relevant to a lot of threads in here around now. (I also have the Wolfenstein and Finkenstein strings patches from MA1 in there, and some shorts from 8DIO Adagio/Anthology in one section.)
- Another interesting (to me) thing that I did was run an EWHO Gold 6-Horn patch through a really janky impulse response I made from some perc in CinePerc, which actually helped spatialize it / blend it with CineBrass a surprising amount.
- Embertone's Recorders and Shire Whistle are still the bomb
- The sound at 1:10 was made by placing OTT on my Les Paul's dry DI, emphasizing a lot of the high end, and then sending it back out through a DS-1 in my pedalboard.
- Guitars are tracked
- Tambourines in CinePerc are surprisingly nimble
- Still loving CineBrass
- 7th Heaven is ... Heavenly
I've never transcribed or mocked up a piece by anyone other than myself before, so it was an interesting experience, to say the least. Different experience than Score Study for sure.
There's a lot going on in the piece, so I make have made some assumptions, and/or embellished a line or two .
Notes:
- For strings, I used primarily Con Moto and Fluid Shorts, which I thought would be relevant to a lot of threads in here around now. (I also have the Wolfenstein and Finkenstein strings patches from MA1 in there, and some shorts from 8DIO Adagio/Anthology in one section.)
- Another interesting (to me) thing that I did was run an EWHO Gold 6-Horn patch through a really janky impulse response I made from some perc in CinePerc, which actually helped spatialize it / blend it with CineBrass a surprising amount.
- Embertone's Recorders and Shire Whistle are still the bomb
- The sound at 1:10 was made by placing OTT on my Les Paul's dry DI, emphasizing a lot of the high end, and then sending it back out through a DS-1 in my pedalboard.
- Guitars are tracked
- Tambourines in CinePerc are surprisingly nimble
- Still loving CineBrass
- 7th Heaven is ... Heavenly