How are you finding the crossfades on the oboes? The crossfades on the old oboes in particular have always been the bane of my existence, as much as I like the sound of them.
Thank you very much. I pulled the trigger. Your examples really show a considerable improvement. Seems like this could be really playable vi winds at last.I find the Sychron player is very well laid out. I always didn't like the VI player, the matrix is too confusing and I never really wrapped my head around it, such that I often just made separate tracks when I needed staccato vs legato etc. I always preferred working with keyswitches. From that perspective, the Synchron player is really simple. All I have to do is load the patch, disable the reverb and positioning stuff (because I want it to swap in for my VI winds easily), then I personally swap CC1 and CC2 so I can do crossfades with CC1, and I just hit the keyswitch for the articulation I want and go. It is so nice to be able to play both long melodies and runs with the auto speed legato without having to change anything.
It is still normalized like the old ones so you'll still have to manually adjust for like the lower register of the flute being too loud and things like that, but other than that everything is fixed. Hopefully they add a feature in Synchron to allow adjustment of loudness based on register to compensate for this in a more automated way.
I see you are comparing the new Synchronized woodwinds with the old SE, not the Full version. May I ask you the midi file, to test it with the old Full versions?I just took an online MIDI of the harry potter theme
I see you are comparing the new Synchronized woodwinds with the old SE, not the Full version. May I ask you the midi file, to test it with the old Full versions?
Michael, thank you very much for the file. I tried to do a crude test with two Flute 1 legato from the old VSL VI Full library. The first one is a blend of legato and legato_fast; the other one is the legato_trill.
I think trill legato should only be used for very fast passages (trills, runs, arpeggios), to avoid hearing that leak.Not a fan of the trill solution (although I've done that before with other libs when I needed to fake this), I can hear a bit of the trill leaking in and it makes the pitch less distinct.
Thanks I made a screencast of this piece, now online, you may find it interesting.
SYNCHRON-ized WOODWINDS - Vienna Symphonic Library
Our Woodwinds collection offers you a broad selection of orchestral woodwinds. Includes flute, oboe, clarinet and bassoon recorded solo and in three-player ensembles, as well as piccolo and alto flute, two English-horns, small clarinet in Eb, bass clarinet and contrabassoon.www.vsl.co.at
wow, long link.
Sorry, I don't know at the moment. You can send us a mail via [email protected] and a colleague will come back to you@Ben How many dynamic layers and RRs do these have on average?