Vonk
Active Member
I'll admit that I have an innate prejudice in favouring one's ears when mixing rather than eyes. My initial reaction to Spectralayers is that it is an advanced tool that in the wrong hands (mine), is just a colourful way to risk screwing up a mix. Steinberg draw the analogy with Photoshop (which I know well) but I feel the temptation of working with the visual might be counterproductive - you edit to suit the image not the sound.
Anyone with experience of Spectralayers want to show me the error of my thinking, and why this is a useful tool for an orchestral composer that is worth the money?.
Anyone with experience of Spectralayers want to show me the error of my thinking, and why this is a useful tool for an orchestral composer that is worth the money?.